Types Of Kisses (part I)

“Why do teenagers go so hardcore at everything?”

“Because they’re forced to go through highschool during one of the most sensitive parts of the brain’s development, which makes everything seem like a never-ending nightmare. It’s a defense mechanism.”

Types of Opening Scenes for Your Novel

Here are a handful of ways to open the very first scene in your book! There are plenty more to explore, but these are a set of very tried and true methods.

Autobiographic - your protagonist starts the book reflecting or talking about a past event. They’re looking back in time and sharing an important piece of information with the reader.

In trouble/conflict - a problem has arisen for the protagonist and a sense of urgency is established. This can be an intense conflict like a chase scene or a puzzling problem.

Mysterious opening - the reader is introduced to something peculiar (a fantasy location, unique magic, a cloaked figure, etc.) that raises questions in their mind. Their curiosity will keep them reading.

Scene-setting - the most common opening where you focus on introducing the setting and the characters in it before anything else.

The questioner - the protagonist is questioning something: “Who invited the guy in the trench coat covered in red?”

Beginning with a thought - the novel is started with a philosophical quote or meaningful thought from the protagonist. “What is living worth if she’s not doing it with me?”

Intriguing dialogue - the book starts with interesting dialogue that captures the attention of the reader.

Mood establisher - the novel opens with a deliberate mood that signifies to the reader what they should expect from the story. Ex. a spooky story may open with eerie words and a dark atmosphere.

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10 Free Websites To Improve Your Writing

There’s no such thing as too many resources for writers. Books are helpful, but they can cost more money than the average author is willing to spend ($0.00). So here’s ten free websites any author can use. Whether you’re a professional with ten books under your belt, or a brand new writer starting from scratch, this list has something for everybody. Because we’re worth it. 

Critique Circle

Probably the best writing review website on the internet. The idea is to review other people’s work, and, for every review you do, you get ‘credits’, which allows you to post your own work on the website so it can get critiqued. It’s one big Circle Of Life that works really well. The credit system they have in place ensures that people will actively seek out and critique other people’s work. Also includes a very active forum, and much more features than I could ever say here. If you take nothing else away from this list, take this one. 

Grammar Girl

Exactly what it says on the tin. Grammar Girl takes those hard to answer grammar questions and explains them in any easy, simple way.

Writers Helping Writers

Home of The Bookshelf Muse, this website is described as a ‘descriptive thesaurus’. Some of them include: Emotions, Settings, Themes, Talents, Colors, Shapes, and so much more. This website is great for any author looking to add realism and depth into their writing, 

Writer’s Digest

Full of information. Very helpful. Very…confusing? The front page looks like a link explosion, but it’s useful links. It takes some getting used to how the website is laid out, but once you do, you’ll find everything from writing prompts to goals to genres and everything in between. 

One Look Dictionary

Not your average dictionary. One Look takes everything you never knew you wanted and compiles it into one website. 

One Look Reverse Dictionary

One Look also has a reverse dictionary. Simply put in a concept and get back words and phrases related to that concept.

Spell Check Plus

If you’re a writer of any kind, you’ve probably done a search for a decent spellchecker. And, if you’ve done that, you’ve probably stumbled across about ten of them, which are all about the same. Spell Check Plus tops all others by a mile. It fixes spelling errors with suggestions, offers word choices to help with grammar, and gives a summary of possible errors.

NaNoWriMo

NaNoWriMo is a website where authors aim to write a novel in one month. This happens every November, with Camp NaNoWriMo happening every April. The goal is simply to get 50k words written in thirty days, no editing. It’s something to try to break out of your normal writing shell, because really, when else is 50k words with no editing ever allowed? Free yourself, my friends.

Fuck Yeah Character Development

This is absolutely amazing for character development. Anything and everything you could possibly need to creative any character you want can be found here. 

YA Highway

Don’t be put off by the title, YA Highway contains writing tips that can be applied to all genres and methods of writing. There’s many different posts that encompasses many things, so some searching may be in order. But when you find what you’re looking for it’s all worthwhile.

Some people aren’t going to like what you write. Write it anyway.

Some people, people you know objectively suck at being a human being, will get more kudos, more comments, more recs. Write it anyway.

Some of your friends aren’t going to read what you write. Write it anyway.

Some of the people you support the most won’t support your work. Write it anyway.

Some people are going to say your characterization is 100% wrong. X would never. Write it anyway.

It’s been done before. Write it anyway.

Your writing might not measure up to the fandom greats. Write it anyway. (I can guarantee they didn’t measure up at some point either)

Some people aren’t going to rec your work. Write it anyway. (And make your own recs)

Write it anyway.

Write it anyway.

Write it anyway.

Writing Prompt #22: Prove Them Wrong!

Take every bit of writing advice you’ve ever heard and throw it out the window. Your job today is to fit every cliche you can possibly think of into your story. Don’t write them in a new way, don’t put a spin on it, don’t phrase it differently. Do straight up, in your face cliche. And make us like it.

Writing Prompt #540: Write This Story

He woke up with a headache, two pairs of broken glasses, and one shoe. He didn’t wear glasses, and the shoe wasn’t his, so this presented him with something of a conundrum.

So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.

I'm going to try it.

Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

Ways to un-stick a stuck story

Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.

Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.

Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.

Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.

Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.

Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.

Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.

Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.

Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.

Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.

Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.

Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.

Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.

Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.

Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.

Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).

Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.

What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.

Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.

okay since we’re sharing porn on the dash, here’s my contribution

hange

minors dni!