Ways To Un-stick A Stuck Story

Writing Prompt #426: Write This Story

Time stopped for a moment before it sputtered back to life, like a flickering candle.

How to Make Your Descriptions Less Boring

We’ve all been warned about the dangers of using too much description. Readers don’t want to read three paragraphs about a sunset, we’re told. Description slows down a story; it’s boring and self-indulgent. You should keep your description as short and simple as possible. For those who take a more scientific approach to writing fiction, arbitrary rules abound: One sentence per paragraph. One paragraph per page. And, for god’s sake, “Never open a book with weather” (Elmore Leonard).

But what this conventional wedding wisdom fails to take into account is the difference between static and dynamic description. Static description is usually boring. It exists almost like a painted backdrop to a play. As the name suggests, it doesn’t move, doesn’t interact or get interacted with.

There were clouds in the sky. Her hair was red with hints of orange. The house had brown carpeting and yellow countertops.

In moderation, there’s nothing wrong with static description. Sometimes, facts are facts, and you need to communicate them to the reader in a straightforward manner.

But too much static description, and readers will start to skim forward. They don’t want to read about what the house looks like or the stormy weather or the hair color of each of your protagonist’s seventeen cousins.

Why? Because they can tell it’s not important. They can afford to skip all of your description because their understanding of the story will not be impacted.

That’s where dynamic description comes in. Dynamic description is a living entity. It’s interactive, it’s relevant. It takes on the voices of your narrators and characters. In short, it gives us important information about the story, and it can’t be skimmed over.

So how do you make your description more dynamic so that it engages your readers and adds color and excitement to your story? Here are a few tips.

(I have a TON more tips about setting and description. These are just a few. But I’m trying to keep this short, so if you have any questions or want more advice about this, please feel free to ask me.)

Keep reading

“I need a favour.” “You know, sometimes I wonder where you’d be if I said no.”

“…are you saying no?”

I never say no to you. Their jaw clenched. “What’s the favour?” they asked instead.

© (c ) copyright 1990-2011 Rebecca Sinclair

See the original HERE

Every writing tip tells you to read a lot to write a lot, but I have been having a hard time reading after I started writing. Everything seems so predictable, you start a book and notice a hero's journey and boom you know exactly what the story is going to be, or after you learn how to foreshadow you get all the little references and know exactly what the thing is leading to. It just feels boring. Do you know any way to overcome this?

Trouble Reading After Writing

Honestly, that really is the one big drawback to being both a reader and a writer. Once you have a grasp on how to tell a story, flaws in others' stories are more apparent to you. And that's what's happening, unfortunately... if the hero's journey is that obvious, even to another writer, that's a flaw in the storytelling. If the foreshadowing references are that obvious to you, that's a flaw in the storytelling. Because top quality writing should generally pass muster even to other writers. And I say "generally" because it's all subjective anyway, so what seemed predictable to you may still not be predictable to another writer.

So, where you're at is where a lot of more experienced writers find themselves... the books you're going to enjoy will have to clear a higher bar, and sometimes it can take some time to find authors who meet your personal criteria... but you will. You may want to take advantage of e-book deals, library books, ARCs, and samples for a little while as you try to find books and authors that work for you. Because I'd say probably the number one key to this stage in your writing/reading relationship is to not be afraid to DNF. I used to really struggle with DNF-ing, so I would force myself to read the book and end up reading like a page a day if I was lucky. My personal rule is I give a book 3-5 chapters. If I absolutely hate it by the end of chapter three or so and it shows no promise or merit, I'll happily DNF. If it shows some promise or merit, I'll give it a couple more chapters to see how it goes. If I'm not invested enough to keep reading of my own volition, I'll DNF then.

But... keep at it, because you will find writers and books that work for you. Also: if you've read enough that you're to that point--where you understand storytelling so well that you can spot the flaws in others' stories--you're probably past the point where you need to be reading voraciously. Because the whole point of reading voraciously as a less experienced writer is to learn how stories work through firsthand experience. So, don't feel like you have to be inhaling books if you're past that point. Read what you want, when you want. A lot of writers don't read a lot while they're writing.

I hope that helps!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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Writing Prompt #234: Write This Story

The apothecary had been there for as long as anyone could remember.

“Where exactly are we?”

“Purgatory.”

“What!? Seriously!?”

“Noooo we’re in the Arizona desert…where else could we possibly be right now!? Especially after the stunt you pulled.”

Rare Tropes

One of my favorite rare tropes is this, kitchen absolutely RECKED, but the most perfect food ever made. It's never used but I find it cute and funny. Here's an example;

Character A walks out the kitchen, covered in stains and spills, the stench of smoke wafting of them. Character B is terrified as a sloppy slice cake is placed In front them. They steal a quick glance at A, who's looking at them with an excited smile. B gives a defeated sigh, and takes sizeable bite of the cake, expecting the worst. It tastes better than heaven.

Here’s a little bit on subplots!

Angst/fluff Prompt List

Please don’t repost (stealing isn’t cool, but reblog if you wish) <3 <3

“I love you, please don’t go.”

“Stay here tonight.”

“Please don’t walk out of that door.”

“I thought things were going great.”

“Don’t you love me?”

“You make every day worth living.”

“I’ll keep you warm.”

“I’m never letting you go.”

“You meant too much to me.”

“I won’t let you.”

“How could you ask me that?”

“Don’t you trust me?”

“I won’t let anyone hurt you, you’re safe with me.”

“You look amazing tonight.”

“Shouldn’t you be with him/her?”

“I’ve got you.”

“I can’t sleep, can I stay here?”

“It’s late.  Shouldn’t you be asleep?”

“How are you feeling today?”

“You look amazing tonight.”

“We’ll figure this out.”

“This isn’t goodbye.”

“What’s cookin’ good lookin’?”

“Wanna go grab a drink?”

“What the hell were you thinking?!”

“Here, let me help you.”

“Kiss me.”

“I care about you.”

“You could have warned me!”

“That was unexpected.”

“You haven’t lost me.”

“Why are you doing this?”

“Don’t cry.”

“Please don’t do this.”

“You make me feel safe.”

“You’ve shown me what love can feel like.”

“Thank you, for everything.”

“All I wanted was for you to be happy.”

“I can’t do this on my own.”

“I wasn’t lying when I said that I loved you.”

“Don’t be afraid.”

“You’re always on my mind.”

“You have no idea how much I want you right now.”

“You’ve always felt like home.”

“I can’t imagine this world without you.”

“Dance with me.”

“Trust me.”

“Why are you crying?”

“Who hurt you?”

“Nothing is wrong with you.”

“You make me feel alive.”

“I wouldn’t change a thing about you.”

“Who cares about what they think?”

“Let’s go.”

“I’m not going anywhere.”

“Tell me what’s wrong.”

“You’ve always got me.”

“I’ve waited for this moment for a long time.”

“Is this okay?”

“You look like you could use a hug.”

“Did you need something?”

“Do you have a ride home?”

“I am home.”

“What happened back there?”

“That’s not gonna happen.”

“Why me?”

“I’m right where I belong.”

“Fine.”

“What do you want me to say?”

“After everything we’ve been through, you still don’t think that I love you?”

“You’ve been drinking tonight, haven’t you?”

“You need sleep.”

“Excuse me?”

“What are you doing?”

“What did you expect?”

“You’re not alone.”

“We’re meant for each other.”

“You’re worth it.”

“I don’t care what anyone else thinks.”

“I’ve always been honest with you.”

“It’s cold, you should take my jacket.”

“Just breathe, okay?”

“When I’m with you, I’m happy.”

“Going somewhere?”

“Don’t lie to me.”

“Don’t be scared, I’m right here.”

“You’re so adorable.”

“I’m better, now that you’re here.”

“I could never forget you.”

“Forget it.”

“That’s in the past.”

“You make me happy.”

“You’re more than that.”

“I won’t lose you too.”

“Come cuddle.”

“Can’t you stay a little longer?”

“It’s not that easy.”

“I’ve had enough.”

“I fell in love with you, not them.”

“You’re the only one I wanna wake up next to.”