okay since we’re sharing porn on the dash, here’s my contribution
hange
minors dni!
Do an outline, whatever way works best. Get yourself out of the word soup and know where the story is headed.
Conflicts and obstacles. Hurt the protagonist, put things in their way, this keeps the story interesting. An easy journey makes the story boring and boring is hard to write.
Change the POV. Sometimes all it takes to untangle a knotted story is to look at it through different eyes, be it through the sidekick, the antagonist, a minor character, whatever.
Know the characters. You can’t write a story if the characters are strangers to you. Know their likes, dislikes, fears, and most importantly, their motivation. This makes the path clearer.
Fill in holes. Writing doesn’t have to be linear; you can always go back and fill in plotholes, and add content and context.
Have flashbacks, hallucinations, dream sequences or foreshadowing events. These stir the story up, deviations from the expected course add a feeling of urgency and uncertainty to the narrative.
Introduce a new mystery. If there’s something that just doesn’t add up, a big question mark, the story becomes more compelling. Beware: this can also cause you to sink further into the mire.
Take something from your protagonist. A weapon, asset, ally or loved one. Force him to operate without it, it can reinvigorate a stale story.
Twists and betrayal. Maybe someone isn’t who they say they are or the protagonist is betrayed by someone he thought he could trust. This can shake the story up and get it rolling again.
Secrets. If someone has a deep, dark secret that they’re forced to lie about, it’s a good way to stir up some fresh conflict. New lies to cover up the old ones, the secret being revealed, and all the resulting chaos.
Kill someone. Make a character death that is productive to the plot, but not “just because”. If done well, it affects all the characters, stirs up the story and gets it moving.
Ill-advised character actions. Tension is created when a character we love does something we hate. Identify the thing the readers don’t want to happen, then engineer it so it happens worse than they imagined.
Create cliff-hangers. Keep the readers’ attention by putting the characters into new problems and make them wait for you to write your way out of it. This challenge can really bring out your creativity.
Raise the stakes. Make the consequences of failure worse, make the journey harder. Suddenly the protagonist’s goal is more than he expected, or he has to make an important choice.
Make the hero active. You can’t always wait for external influences on the characters, sometimes you have to make the hero take actions himself. Not necessarily to be successful, but active and complicit in the narrative.
Different threat levels. Make the conflicts on a physical level (“I’m about to be killed by a demon”), an emotional level (“But that demon was my true love”) and a philosophical level (“If I’m forced to kill my true love before they kill me, how can love ever succeed in the face of evil?”).
Figure out an ending. If you know where the story is going to end, it helps get the ball rolling towards that end, even if it’s not the same ending that you actually end up writing.
What if? What if the hero kills the antagonist now, gets captured, or goes insane? When you write down different questions like these, the answer to how to continue the story will present itself.
Start fresh or skip ahead. Delete the last five thousand words and try again. It’s terrifying at first, but frees you up for a fresh start to find a proper path. Or you can skip the part that’s putting you on edge – forget about that fidgety crap, you can do it later – and write the next scene. Whatever was in-between will come with time.
1. “You’re not jealous, are you?” 2. “I hate that I love you!” 3. “Why did you do it?” 4. “Drunk words are sober thoughts 5. "I miss you” 6. “I thought you loved me” 7. “If you walk out right now, it’s over between us” 8. “You’re not the person I fell in love with, you’ve changed” 9. “I don’t love you anymore” 10. “This was a mistake” 11. “We’re just friends, aren’t we” 12. “You’re my best friend. Come on you know that” 13. “When are you going to open up your eyes and see I love you” 14. “It’s just one of those things. He loves her, she loves him and everyone can see it, but them” 15. “I wish I never met you” 16. “I need you” (smut or fluff let me know) 17. “I want us” 18. “I love you” 19. “What happened to us?” 20. “I don’t hate you. I never did”
These are just a few prompts, you can also request any imagine you want. I mainly write about youtubers, criminal minds characters, ouat, Harry Potter, maze runner, teen wolf, etc, but I am willing to try others if you request it. Just let me know who and what you want it about!
Ask a question, any question! Because I have nothing better to do than to answer your questions. … No, really. I don’t. D:
1: What does their bedroom look like?
2: Do they have any daily rituals?
3: Do they exercise, and if so, what do they do? How often?
4: What would they do if they needed to make dinner but the kitchen was busy?
5: Cleanliness habits (personal, workspace, etc.)
6: Eating habits and sample daily menu?
7: Favorite way to waste time? Feelings surrounding wasting time?
8: Favorite indulgence and feelings surrounding indulging
9: Makeup?
10: Neuroses? Do they recognize them as such?
11: Intellectual pursuits?
12: Favorite book genre?
13: Sexual Orientation? And, regardless of own orientation, thoughts on sexual orientation in general?
14: Physical abnormalities? (Both visible and not, including injuries/disabilities, long-term illnesses, food-intolerances, etc.)
15: Biggest and smallest short term goal?
16: Biggest and smallest long term goal?
17: Preferred mode of dress and rituals surrounding dress
18: Favorite beverage?
19: What do they think about before falling asleep at night?
20: Childhood illnesses? Any interesting stories behind them
21: Turn-ons? Turn-offs?
22: Given a blank piece of paper, a pencil, and nothing to do, what would happen?
23: How organized are they? How does this organization or disorganization manifest in their everyday life?
24: Is there one subject of study that they excel at? Or do they even care about intellectual pursuits at all?
25: How do they see themselves 5 years from today?
26: Do they have any plans for the future? Any contingency plans if things don’t work out?
27: What is their biggest regret?
28: Who do they see as their best friend? Their worst enemy?
29: Reaction to sudden extrapersonal disaster (e.g. The house is on fire! What do they do?)
30: Reaction to sudden intrapersonal disaster (e.g. close family member suddenly dies)
31: Most prized possession?
32: Thoughts on material possessions in general?
33: Concept of home and family?
34: Thoughts on privacy? (Are they a private person, or are they prone to ‘TMI’?)
35: What activities do they enjoy, but consider to be a waste of time?
36: What makes them feel guilty?
37: Are they more analytical or more emotional in their decision-making?
38: What recharges them when they’re feeling drained?
39: Would you say that they have a superiority-complex? Inferiority-complex? Neither?
40: How misanthropic are they?
41: Hobbies?
42: How far did they get in formal education? What are their views on formal education vs self-education?
43: Religion?
44: Superstitions or views on the occult?
45: Do they express their thoughts through words or deeds?
46: If they were to fall in love, who (or what) is their ideal?
47: How do they express love?
48: If this person were to get into a fist fight, what is their fighting style like?
49: Is this person afraid of dying? Why or why not?
You type in the amount of words you want to write and as you write, your mini lil avatar fights a monster. Each word you write acts a hit towards your monster, and once you’ve hit your word count the monster is defeated!!!
How cute!!!!
Work quick though as how long you spent not writing decreases your avatar’s health. It’s a productive fight to the death against the clock!
You can PAUSE it!!!! Need go get a cup of tea? Need to sneeze? You can!!!!!
Settings are adjustable! You can change the monster’s speed and the attacks!
You can change the theme and font!
You can level up!!!!! The number of words you write equals your EXP. You can unlock one avatar thus far, but I believe there may be more in the future!
You can minimise the fight above if it serves as a distraction, and only show the decreasing green bar.
Best of all: If you don’t hit the target word count in time, YOUR WORK DOES NOT DISAPPEAR. In the past I’ve lost so much work because I wasn’t typing fast enough, or sneezed.I cannot express enough how thankful I am that it presents a challenge where the consequence is a knock of pride and not a fit of rage.
Honestly, I urge all writers out there to give this app a go. It’s my new favourite thing.
Some people aren’t going to like what you write. Write it anyway.
Some people, people you know objectively suck at being a human being, will get more kudos, more comments, more recs. Write it anyway.
Some of your friends aren’t going to read what you write. Write it anyway.
Some of the people you support the most won’t support your work. Write it anyway.
Some people are going to say your characterization is 100% wrong. X would never. Write it anyway.
It’s been done before. Write it anyway.
Your writing might not measure up to the fandom greats. Write it anyway. (I can guarantee they didn’t measure up at some point either)
Some people aren’t going to rec your work. Write it anyway. (And make your own recs)
Write it anyway.
Write it anyway.
Write it anyway.
We’ve all been warned about the dangers of using too much description. Readers don’t want to read three paragraphs about a sunset, we’re told. Description slows down a story; it’s boring and self-indulgent. You should keep your description as short and simple as possible. For those who take a more scientific approach to writing fiction, arbitrary rules abound: One sentence per paragraph. One paragraph per page. And, for god’s sake, “Never open a book with weather” (Elmore Leonard).
But what this conventional wedding wisdom fails to take into account is the difference between static and dynamic description. Static description is usually boring. It exists almost like a painted backdrop to a play. As the name suggests, it doesn’t move, doesn’t interact or get interacted with.
There were clouds in the sky. Her hair was red with hints of orange. The house had brown carpeting and yellow countertops.
In moderation, there’s nothing wrong with static description. Sometimes, facts are facts, and you need to communicate them to the reader in a straightforward manner.
But too much static description, and readers will start to skim forward. They don’t want to read about what the house looks like or the stormy weather or the hair color of each of your protagonist’s seventeen cousins.
Why? Because they can tell it’s not important. They can afford to skip all of your description because their understanding of the story will not be impacted.
That’s where dynamic description comes in. Dynamic description is a living entity. It’s interactive, it’s relevant. It takes on the voices of your narrators and characters. In short, it gives us important information about the story, and it can’t be skimmed over.
(I have a TON more tips about setting and description. These are just a few. But I’m trying to keep this short, so if you have any questions or want more advice about this, please feel free to ask me.)
Keep reading
01. “You are weak with love for her.”
02. “You attack one of us… you attack all of us.”
03. “Sacrifice, that’s what we do for the people we love.”
04. “I thought they’d killed you. I lost my temper.”
05. “I will find her, or I will die trying.”
06. “Never saw one without the other, did you?”
07. “Don’t you touch her.”
08. “If I can still breathe, I’m fine.”
09. “Kind of a pretty boy, isn’t he?”
10. “Always have an escape plan.”
11. “I wonder what will get you killed first – your loyalty or your stubbornness?”
12. “Where you go, I go.”
13. “These people are my family, and if you hurt them in anyway – I will kill you.”
14. “You are my dearest friend. My deepest love. You are the best part of me.”
15. “You are the sun.”
16. “Oh, darling, everybody sees how you look at him.”
17. “The choices I’ve made I would make again, for him, no matter the cost.”
18. “In my defense, the moon was full and I was left unsupervised.”
19. “I’ll choose her happiness over mine every time.”
20. “Of all the things my hands have held, the best by far is you.”
21. “That’s beyond stupid. He’s created a new kind of stupid.”
22. “I’m just here to establish an alibi.”
23. “People say that I am heartless.”
24. “I stopped being a kid the day you sent me down here to die.”
25. “Fight it, or accept it. Fear it, or control it.”
26. “You save everyone, but who saves you?”
27. “When I was a child, I heard voices.”
28. “I think you are the sweetest thing.”
29. “If you hurt my brother, I’ll kill you. I swear I’ll kill you all.”
30. “Chin up, kid, they’d kill to see you fall.”
If your character has psychosis, first, give yourself a pat on the back for taking a big step! Not very many people do this, and not very many people do it well. Here’s a small text post to try to help. Hallucinations:
- Auditory hallucinations can come from inside the mind, too. You can hear people calling your name, and occasionally screaming or laughing. Someone who has knowledge of their condition will try their best to ignore them.
-Voices in the head can be anything from a ‘narrator’ narrating what they do, a friend, or a manipulative enemy. Sometimes you’ll hear choruses of things–your character can try to reason with their voices, but the less human the voices sound, the harder that can be.
-Voices can be very convincing, and your character can miss them if they disappear.
-Tactile hallucinations can be anything from feeling rain when there isn’t any to someone tapping on your shoulder to working at school with someone’s ‘hands’ around your neck. They’re often the hardest to distinguish from reality.
-Seeing things can be realistic or unrealistic. You might have someone watching you the whole day, or seeing your cat when he’s actually dead, to bending down to pick a ‘pencil’ up when it disappears. Seeing things float or flickering lights can be annoying to your character. Images distorting are not uncommon.
-Your character will be annoyed by these if they have identified their hallucinations as fake. Hallucinations detract from ones life and complicate ones day.
-Delusions can last for a long time or for a short time. Your character will be afraid, and a flight or fight response will be the majority of their actions. Feeling things chasing them is common, and certain objects might bring them comfort.
-Paranoia isn’t just with psychosis. If your character is aware of their psychosis, then they will distrust everything and possibly ask other people if things are real. Nothing is definite.
-Stigma against psychosis is very common, and stigma against medicine is too. Your character will probably be afraid of telling people.
-Medicine will take more than a month sometimes to completely kick in. Sometimes while it’s kicking in, stress will make it worse.
-This post is specifically for psychosis and hallucinations/delusions. I am not educated on schizophrenia, and am not making a generalization of that.
Long story short, please do other research. The world is plagued with books that exacerbate stigma and myths. Ask people who suffer from psychosis or used to. This is not meant to be your only resource, nor it is definite for all cases. Every case of psychosis is different, and you can’t say one thing happens for everyone. Thank you for reading! TL;DR Just a resource if you want to write a character with psychosis, do other research too.
“Ignore my booty.”
“Impossible, you have a glorious ass and I must worship it.”