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Demian - Blog Posts
ngl I hope sinclair ends up rebelling against demian in some way since (if the book is anything to go by) one of the major aspects of his character arc is learning to not depend on others for comfort and guidance… limbus demian talks about sinclair in very predestined terms, and, while I’m not arguing he’s evil or anything, the expectation of a higher purpose + the fact that book demian is revered as this holy being that sinclair longs to be on the level of… idk it feels strangely kromer-esque to me? minus the familicide of course, I mean more so in terms of what they want from sinclair. demian definitely sees sinclair as more of a person, but there’s still this expectation of what he Could be… all while assuming that sinclair will just accept it once the time comes…
based on a stupid thought i had
yes it’s demisin related cause they have a chokehold on me
I'm re-reading Demian by Hermann Hesse.
(I'm having a mental breakdown)
Let’s talk about the end of Canto IV and the identity of Dante
Summary :
-Introduction 1.New perspective on the character of Demian 2. Dante and Saint Exupéry 3.Sinclair and the snake: symbol of his incoming death 4. The stars = people 5. Make connections, find friends 6. But in the end what about the sheep?
At the end of canto IV (which was extraordinary) we were treated to a very interesting little “post credits” scene: Dante and Demian talking together and the latter saying a very interesting sentence:
« Just draw me a sheep later »
This sentence just awakened flashbacks of my high school years because this sentence is of course a reference to one of the most famous sentences of Saint-Exupery's Little Prince. In the “Little Prince”, the character of the same name asks the author, who is also the narrator and a character in the book, to draw him a sheep to protect his rose.
But what does this mean for Dante? It is still too early to come to a conclusion, but we can still look at several elements that this new information could highlight.
1. The character of Demian
Although Demian is, of course, inspired by the character of Demian from the book “Demian” by Herman Hesse, it could be possible that he is also inspired by the character of the Little Prince.
Why?
First, the sentence quoted above is a sentence resembling one that is spoken by the Little Prince in the book, as I said at the beginning. However, this is not the only resemblance between Demian and the Little Prince.
Just in terms of appearance we can see a similarity: the scarf that Demian wears around his neck could be a reference to the Little Prince's scarf which is often represented as floating, like Demian's.
Demian is also related to a character who is related to a snake. I am of course talking about the character of Emil Sinclair where we can see a snake behind him in his image.
Although the snake is mostly a reference to the original sin in Hesse's work, I can't help but think that this snake could also be a reference to the snake of “The Little Prince”.
2.Dante and Saint Exupery
But then if Demian is like the Little Prince and he asks Dante to draw him a sheep, would Dante be inspired by Saint-Exupery? Since it is him who draws a sheep to the Little Prince. Maybe…
It is interesting to note that the interactions between Demian and Dante are very similar to that of the Little Prince and Saint-Exupery:
Demian says cryptic things and responds in the same way to Dante's questions, who remain perplexed in front of him. Sometimes Demian ignores or does not even answer Dante's questions. It's very similar to the many scenes between the author and his blonde-haired friend, one asks many questions while the other responds in a "strange" way or ignores them altogether.
What is interesting is that Saint Exupery is the author and a character of his book which makes him a unique case. Plus it should remind you of someone: Dante from “The Divine Comedy”. Where the other 12 sinners are either inspired by a character or the author of their respective works, they are never inspired by someone who is both. Only Dante find themself in this case.
Another element supports this theory linking “The Little Prince” to Dante: the sentence they said to Sinclair when the latter was about to join Kromer:
These sentences are, I’m sure, a reference to a famous quote of another very important character in “The Little Prince”: the Fox
« Here is my secret. It is very simple: we only see well with the heart. What is essential is invisible to the eye. »
The fox explains that the true perception and understanding of things is not done through the eyes, but with the heart. He emphasizes that the very essence of things, their true value and beauty, can only be perceived by having an inner vision, an emotional connection.
But then, Dante would be the Fox?
As you can see I am more of the opinion that Dante are inspired by the author and not by the Fox but then why do they pronounce words belonging to the Fox. Well I think Dante said the fox’s words because they remembered them unconsciously because it was a moral that touched the narrator in “The Little Prince” and could have touched them in the same way. The Fox could belong to Dante’s past.
This would be why, I think, Demian repeats these words before intervening against Kromer, he recognised them.
3.Sinclair and the snake? A symbol of his incoming death?
A brief parenthesis on Sinclair. Demian says a very enigmatic sentence to Dante regarding Sinclair:
“When he becomes one with beautiful stars…”
Although I think this phrase refers to the fact that when Sinclair will able to see entirely with his heart and not his eyes, then he will "be one with the stars" I also have another interpretation.
This turn of phrase strongly reminds me of a passage from the book (WARNING! SPOILERS REGARDING THE END OF THE LITTLE PRINCE):
At the end of the book the little prince dies from the bite of the snake, thus leaving his body and now able to join B612 — his star. At that moment, the little prince joined the stars and "became" his star. In the book it is mentioned that when a person dies they become a star in the sky. This suggests an idea of continuity and eternal presence beyond earthly life.
This supports the idea that the stars represent each existing individual but also that the stars symbolize the immortality of the soul.
So Sinclair should become a star and one with all the others by dying? Does this sentence announce his death?
Small additional detail: Sinclair strangely resembles the Little Prince from the little we know about him. The only physical detail we have of the Little Prince is that he looks like a child and has wheat-blonde hair.
So yes, blond hair is not the ultimate proof that Sinclair would also be linked to “The Little Prince” because it is not difficult to meet this criterion, as a proof Don Quixote could also very well correspond. But taking into account that Sinclair is already linked with Demian and has an element that distinguishes him from other sinners: the mark of Cain + these mysterious similarities between him and “The Little Prince”, it was worth mentioning.
Additionally, Sinclair is associated with the color green; the color that is often associated with the Little Prince because of his clothes. And the color green used for Sinclair is named: immature green, although this could be a reference to Sinclair's egg, hatching, self-development theme associated with Demian, why not considering that "immature" is a reference to the character of the Little Prince who can be seen as immature because he does not sound like an adult and behaves like a child even in the face of serious situations. I think it's worth looking into.
Also I thinh that this "theory" could also highlight a moment of Hell Chicken: I'm talking about when Sinclair's team (Faust and Outis in particular) comment on Sinclair's height and the various reasons why Sinclair isn't likely to grow taller than that. This comment about Sinclair's height implying that Sinclair remains small even for his age could be a clue to his connection to the Little Prince by making him look like "a child"
4. The stars
I would now like to address the theme of the stars, which is a very important element in the book as in Limbus Company, as Canto IV was able to confirm.
For the Little Prince, the stars are more than just bright spots in the sky. They symbolize the infinite and the inaccessible, awakening in him a feeling of wonder and escape. They offer him a sense of connection with something greater than himself, transporting him beyond.
If we want to connect the phrase "seeing with the heart rather than the eyes" and the stars, we can mention this passage:
The Little Prince observes the stars and says: "All these stars are mine. To me alone. They make me laugh every time I think about them."
It shows how the Little Prince finds meaning and a deep connection with the stars by seeing them with his heart, which allows him to feel joy and wonder. Strangely this is exactly what we saw in Canto IV, and at the same time its exact opposite.
When we were talking about the tale and the "tearful star" singularity, we could see that the stars were also seen as a symbol of hope and joy in the Limbus’ world as is the case for the Little Prince. However, K corp's singularity does the exact opposite of what the stars are for in The Little Prince: it cries in their place. Where the stars of “The Little Prince” are associated with joy, here it is associated with sadness. But is this really the case?
In truth, this star could also be seen as a mean to bring joy or at least to prevent people from feeling sadness by crying for them. This star would therefore be similar to the stars of the Little Prince in this sense.
However in "The Little Prince", the stars can also be interpreted as representing people in a metaphorical way. The Little Prince encounters various stars throughout his journey, and each of them is home to a unique person. It can be seen as a representation of the individuals he meets in his life. By focusing on the stars, Saint-Exupéry emphasizes the importance of human diversity and individuality. Each star and each person has an intrinsic value and contributes to the richness of the universe. The Little Prince himself learns to appreciate the uniqueness of each star, just as he learns to understand and love the different people he meets. This is something Dante are doing: they are learning to know the different sinners (and people) and to appreciate their uniqueness.
Each star, although distant and distinct, has a certain importance and its own identity. In the same way, each person we meet in our own existence is unique, with their own experiences, emotions and perspectives. Which is, I think, a very underlined subject in Limbus Company and that’s not all:
“I wonder,” he said, “if the stars are lit so that everyone can one day find their own.”
For Saint-Exupéry, the object of the quest, the star, is closely linked to the personality and experience of each of us.
“People have stars that are not the same.”
Guides, little lights, problems, precious metal… depending on whether you are a pilot, spectator, scientist or businessman. But for a star to become ours, for the Truth to make mystery beautiful as the invisible rose makes the star beautiful, it must become the seat of our most personal desire, the receptacle of our hopes and of our memories.
To inhabit our star with a meaning that is unique to us, to make it different and to be able to evoke it in the darkest night, it is essential to seek to know oneself with determination, like the Little Prince who "does not never gave up on a question once he had asked it.”
Knowing how to take the time to explore, to step aside “Straight ahead, you can’t go very far.” to be able to assess yourself.
This work on oneself to populate a star with one's hopes is not done without pain. It can bring more disappointment than pride and lead us, like the Little Prince, to cry over the banality of our character:
“I thought I was rich in a unique flower, and I only have an ordinary rose (...) it doesn’t make me a very great prince. And lying in the grass, he cried. That’s when the fox appeared.”
I find this process of acceptance and self-discovery reminiscent of Limbus Company's notion of E.G.O and Fathom of the E.G.O where each sinner learns to make peace with a part of themselves and break the cycle. He doesn't have to reject a part of himself or keep only the "good" in him. He learns to accept it and live with it to make it a source of light for his star, even if it sometimes has to go through a difficult acceptance of a truth or trying trials.
5. Make connections, find friends
I wonder if the notion of « taming » will be mentioned in Limbus Company?
The word « taming » does not have the same meaning as what we might give it on a daily basis. When the fox explains to the Little Prince what « taming » means, he says to him:
"It's something too forgotten, says the fox. It means creating links..."
Taming represents a process where one establishes a deep emotional connection with someone or something, and it is through this heart connection that one can truly see and understand.
The fox explains to the Little Prince the importance of taming, which involves investing time, attention and affection in creating deep and meaningful bonds with others.
The fox also emphasizes the responsibility that comes with taming by saying,
"You become responsible forever for what you have tamed."
The fox explains to the little prince that when you tame someone or something, you become responsible for this relationship. It emphasizes the importance of caring for those you love and cultivating lasting bonds.
Furthermore in "The Little Prince", the themes of loneliness and friendship take center stage.
The Little Prince often feels lonely during his interplanetary travels, as he is the only one of his kind and finds himself far from his planet and his beloved rose. However, as he encounters various characters, he discovers friendship and the power of human connection.
It is in particular thanks to his friendship with the fox that he understands the importance of emotional ties and the need to bond with others.
The book thus explores loneliness as a universal experience, while emphasizing the vital importance of friendship and human relationships in filling this feeling of emptiness. It reminds us that deep and sincere connections with others are essential for our growth and our understanding of the world around us.
So I may be a blind optimist but I feel like this idea fits well with Dante and the bus members:
Even if it's complicated and there's still a long way to go, each member of the bus are becoming close and are developping a bond that could be seen as a form of friendship. And after all as the fox said; it takes time, affection and attention to create this special bond. Every day Dante can sit a little closer to each Sinners respecting their rhythm as the little prince did for the fox.
However, this would mean that Dante could start to feel a sense of responsibility that accompanies the birth of this bond.
In fact, Dante already feels this responsibility but they associate it with their role as a manager who must guide their employees. However I think that Dante could soon see this feeling of responsibility as a feeling that accompanies what they have "tamed" and thus realize that it is not because they are a manager that they feel the need to take care of the Sinners but indeed because a lasting bond is borned between them.
6. But in the end, what about the sheep?
The sheep represents desire / expectations and creativity.
The metaphor of drawing according to Saint-Exupery tells us that, forced to live in a world of realism, we fail to guess and describe this Truth that attracts us: his attempts to realistically draw a sheep fail to satisfy the Little Prince’s desire.
The Little Prince does not only want a sheep, he wants a sheep capable of protecting his rose by eating the trees. Under the surface of this drawing hides the object of the Little Prince’s desire and therefore of our existence as he says in Chapter IV, strange when we know that Demian also asks us for a sheep in Canto IV
“When you want a sheep, it’s proof that you exist”
Would Demian then ask Dante to give him a solution to his problem of realizing his desire? Is this “Truth” linked to the quest of Dante regarding their memories, an attempt to regain the Truth and in a sense gaining back their existence?
The sheep could also be linked to the sacrificial lamb in the Bible, I don’t really know where this information could take us but since the sacred texts are at the core of Project moon’s works it’s always good to mention. Furthermore, the other common point between the Bible and “The Little Prince” is the fact that The Bible is the most translated book in the world but “The Little Prince” is the second one.
Androgyny and individuation in Demian (Hesse, 1919)
Hesse's novel Demian explores the theme of androgyny and gender ambiguity in depth, using it as a symbol of overcoming the dichotomies that define the ordinary world. Androgyny in the characters is not just a physical or aesthetic characteristic, but represents the fusion of opposites, a condition in which male and female, good and evil, spirit and body coexist without conflict, and it is linked to Jung's theories on the psyche and individuation, the process of integration of the shadow, the dark part of the personality, and of the anima, the feminine principle in men. Emil must fight and create a new world beyond binary for himself.
(long post)
Individuation is a process by which one achieves individual wholeness, in the words of Jung “one who was supposed to be”. In this process, interpretation of dreams plays a dominant role, expressing the content of the unconscious, both personal and collective (this is explained by Jung in his Psychology and Alchemy). The individuation is not a linear process, but one with deviations and extremes , which place the individual in contradictory positions and often cause unbearable moral sufferings. Before birth, when the ego has not yet truly formed, the unconscious is one with the mother and its situation is associated by Jung with that of the Ouroboros, the snake that eats its own tail. From birth, the ego begins its development and separates from the mother to look for another woman, a sexual partner that Jung makes correspond to the archetype of the anima. Hesse showed perfectly in Demian that the essential complication of this relationship is the fact that the archetype of the anima in male psychology, is always initially mixed with the image of the mother (1). Dreams are very important in Demian, more than physical events, they shape Emil's growth and desires. It’s in a “love dream” that emerges the figure of what Emil calls his destiny, which evolves from a portrait of a girl, Beatrice, yet it resembles a boy, Demian, angel and demon, human and beast, and it is described as Sinclair's truest soul. Still cis tho.
Steps of the individuation, which can be connected to specific episodes in the novel, includes:
the assimilation of the shadow (“defeating” Kromer)
the confrontation with the anima (portrait of Beatrice)
the encounter with the archetype of the Wise Old Man (friendship with Pistorius)
For young Sinclair, society presents itself with rigid boundaries, separating the male from the female, good from evil. His childhood is marked by a sharp division between the world of light and the world of darkness, his family corresponds to the bright world, where there is good, righteousness, prayer, etc. In the same way, men and women are two poles that intertwine only to do “mysterious grown-up” things. The father represents authority and rigidity, Sinclair’s relationship with him is not very peaceful and he disregards his father as he grows up and has open conflict with authority such as teachers in school. Meanwhile, the mother is loving but passive, and his sisters, who embody the world of light and are seen as angels, distance themselves as they grow up, finding Emil both amusing and awkward in his teenager body.
In the opening chapter, Sinclair expresses a longing to be part of the world of light, yet he feels unable to fully belong to it. He loses the light when he chooses the darkness. The education that Sinclair receives from his family does not provide him with the tools necessary to face the challenges of adolescence, and this pushes him to look for answers elsewhere. Sinclair’s conviction on the dichotomy of the world is challenged by the mere existence of Demian, who contradicts duality and embraces both light and dark, male and female, young and old. When Emil hears of Abraxas, the novel makes a stronger turn towards the idea of a conjunction of opposites. This idea is very similar to the process of individuation described by Jung.
“What about masculinity? Do you know how much femininity man lacks for completeness? Do you know how much masculinity a woman lacks for completeness? You seek the feminine in women and the masculine in men. And thus there are always only men and women. But where are people? You, man, should not seek the feminine in women, but seek and recognize it in yourself, as you possess it from the beginning.” (2)
Many spiritual traditions consider the androgynous as an expression of the divine. Throughout the Middle Ages, the myth of the androgynous being, seen as a model of human perfection, was present in the secret traditions of mysticism and theosophy in both the East and the West. In Islamic mysticism, divine presence often appears as an "angel-man" with an androgynous form. In Hafiz’s poetry, the beloved is not assigned a specific grammatical gender. Many translations struggle due to Hafiz’s distinctive figurative language and deliberate ambiguity (3). Hafiz’s lyrics on divine love can be reflected in the being of love dreams of Sinclair.
The alchemical operation for the preparation of the philosopher's stone was the union between the masculine and feminine principles.Gnosticism places great importance on the myth of the androgynous being, viewing androgyny as an essential condition for human perfection—a return to a primordial, pre-formal state, free from attributes or polarizations. In particular, the Naassenes, a Gnostic sect, held that the celestial archetype, known as Adamas, was androgynous. Adam, the earthly man, was only a reflection of this divine archetype and was therefore also androgynous. Since all humans originate from Adam, the androgynous is believed to exist within each individual (4).
Most of the characters in Demian are portrayed with an androgynous or ambiguous quality, often blending traits of both youth and old age.
Demian
“I saw Demian’s face, I saw not only that he had not the face of a boy, but that of a man; I saw still more, I thought I saw, or felt, that it was not the face of a man either but something else besides. There seemed to be also something of the woman in his features, and particularly it seemed to me for a moment, not manly or boyish, nor old or young, but somehow or other a thousand years old, not to be measured by time, bearing the stamp of other epochs. Animals could look like that, or trees, or stones” (Demian, chapter 3 , english translation by N. H. Priday, 1923)
Since his first appearance, Sinclair himself is not sure how to describe with precision Demian, this boy surrounded by mystery and rumors, a being who seems to have already overcome the categories imposed by the ordinary world. Recalling animal and mythological images, Demian seems to come from an ancient era.
“Perhaps he was beautiful, perhaps he pleased me, perhaps even he was repugnant— I could not then determine.” (Demian, chapter 3)
These feelings of repulsion and reverence at same time happen again in the dream in chapter 2, where Sinclair suffers by the hand of Kromer and then because of Demian, this time welcoming the torture. However, beyond being merely a mentor or an object of desire, Demian also functions as a projection of Sinclair’s unconscious self, his true self. Then again in this dream in chapter 5:
“Rapture and horror were mixed, the embrace was a sort of divine worship, and yet a crime as well. Too much of the memory of my mother, too much of the memory of Max Demian was contained in the form which embraced me. The embrace seemed repulsive to my sentiment of reverence, yet I felt happy. I often awoke out of this dream with a deep feeling of contentment, often with the fear of death and a tormenting conscience as if I were guilty of a terrible sin.”
Emil experiences deeply ambivalent feelings toward Demian, this time present in the Abraxas incarnation of his dreams, torn between an undeniable attraction and the weight of his upbringing, which has ingrained in him the notion of sin and guilt, very aware of what the terrible sin and crime is (gay gay gay homosexual), to the point of fearing for his life and giving him a reason to feel guilty about himself once more. His perception of his feelings as something forbidden, even criminal, is something present since chapter 1. His longing for Demian is expressed repeatedly throughout the novel, making the queer subtext not very subtle.
Beatrice
Sinclair is immediately attracted and devoted to her. He isn’t really interested in the real girl, he values only her image and what it represents to him. Also worth noting that he likes her in virtue of her boyish features and ephebic beauty.
“She was tall and slender, elegantly dressed, and had a wise, boyish face. She pleased me at once, she belonged to the type that I loved, and she began to work upon my imagination. She was scarcely older than I, but she was more mature; she was elegant and possessed a good figure, already almost a woman, but with a touch of youthful exuberance in her features, which pleased me exceedingly.” (Demian, chapter 4)
Pistorius
Pistorius is a character who also embodies a dual nature: he is both a mature man and a child, a mystic and an unfulfilled dreamer. Hesse uses the word "effeminate” to describe Pistorius' soft features, in contrast to the strength of the upper half of his face:
“....his face was just as I had expected it to be. It was ugly and somewhat uncouth, with the look of a seeker and of an eccentric, obstinate and strong-willed, with a soft and childish mouth. The expression of what was strong and manly lay in the eyes and forehead; on the lower half of the face sat a look of gentleness and immaturity, rather effeminate and showing a lack of self-mastery. The chin indicated a boyish indecision, as if in contradiction with the eyes and forehead. I liked the dark brown eyes, full of pride and hostility.” (Demian, chapter 5)
This description ties in with how Pistorius has an unfulfilled destiny and dream of being a leader of a new religion and how he is the prodigal son, both an adult and a child, still tied to his family and even more, the past and institutionalized religion.
Eva
The culmination of the concept of union of opposites is represented by the character of Eva, Demian's mother. She, almost worshipped as a goddess, is the leader of the circle of the elite, the individuals bearing Cain's mark, which Sinclair joins toward the end.
“There it was, the tall, almost masculine woman’s figure, resembling her son, with traits of motherliness, traits which denoted severity, and deep passion, beautiful and alluring, beautiful and unapproachable, demon and mother, destiny and mistress. [...] Her voice and her words were like those of her son, and yet quite different. Everything was more mature, warmer, more assured.” (Demian, chapter 7)
Demian is a feminine boy, and Eva is a masculine woman: mirrors of each other. In Eva, all opposites come together, not in conflict but in harmony. She represents the final stage of Sinclair’s journey, the embodiment of Abraxas. At the same time, she reflects both his idealized mother figure and his hidden desires. Sinclair’s love for Eva is not just about maternal affection. It is a continuation of his feelings for Demian, but now expressed in a new way that fits societal norms. Unlike his hesitant attraction to Demian, his feelings for Eva are open and intense, showing that she represents both acceptance and fulfillment of something he struggled with before. Her appearance and demeanor is very similar to her son, except she is a version of Demian that Emil is allowed to love, because she is a woman and not a man. In this sense, she serves as an outlet for the emotions he has repressed for years. It is difficult to separate the characters of Demian and Eva, because they, as I said, are a mirror of each other. Emil's feelings towards both of them are intertwined, nonetheless valid on their own. I think Emil loves both of them, but the fact that they are likely projections of Emil's mind complicates everything.
Eva is the end of Sinclair's journey, when he first meets her he feels at home, she is what he was looking for. Demian's home— Eva’s home is a garden, a new Eden in which Sinclair can love and be loved for who he really is, in opposition to his family home. Her name, Eva, also carries symbolic weight, as it is the name of the first woman, who sinned against God and the mother of Cain and Abel, this all circles back to the first encounter with Demian and the mark of Cain. Her eternally youthful appearance reminds me of another very important mother figure, the Pietà Vaticana by Michelangelo. In the Pietà, Mary appears much younger than one might expect for a woman who has lost a 33-year-old son.
“But just as Max in years past had made on no one the impression of being a mere boy, so his mother did not look like the mother of a grown-up son, so young and sweet was the breath of her face and hair, so smooth her golden skin, so blossoming her mouth.” (Demian, chapter 7)
Michelangelo’s focus was symbolic: he depicted Mary as young, as she was when she conceived Jesus, suggesting that "chastity, holiness, and incorruption preserve youth" (5). This iconography of the Pietà, or Vesperbild, became popular in Central Europe during the 14th century, with small sculptures showing the Virgin seated, holding the body of Christ after his death on Good Friday. During the Middle Ages, Mary was considered not only as the mother of Christ but also as his bride and as a symbol of the Church. In a similar way, Eva is not just Demian’s mother, (according to students rumors in chapter 3, her lover, too) but the mother of mankind, an idea and a spiritual figure. Eva, a woman that Sinclair calls mother, lover, whore and Abraxas. Demian also has some connotations of a Christ-like figure, he embodies the Self, the archetype of psychic totality, according to Jung.
She’s tender, loving, but also scary and confusing: the hallucination/vision of the gigantic Eva on the battlefield causes destruction, the mother who brings birth also brings death, like the hindu goddess Kali, worshipped as the mother of the universe, associated with death and destruction.
"Everything is dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes may be reconciled.” (6)
This hermetic principle of polarity, expressed in “The Kybalion”, perfectly encapsulates the gender of characters in Demian.
(1) C. G. Jung. The archetypes and the collective unconscious. 1968. (2) C.G. Jung. The Red Book. 2009 (3) D. Ingenito. Tradurre Ḥāfeẓ: Quattro Divān Attuali. Oriente Moderno.2009. (4) https://www.rigenerazionevola.it/larchetipo-androgino/ (5) Giorgio Vasari. Le vite de' più eccellenti pittori, scultori e architettori. 1550-1567. (6) The Kybalion. 1908 by "Three Initiates" (William Walker Atkinson)
my dealer: got some straight gas 🔥😛 this strain is called “Demian Chapter 6 : Jacob Wrestling” 😳 you’ll be zonked out of your gourd 💯
me: yeah whatever. I don’t feel shit
five minutes later: dude I just woke up in the middle of the night not yet fully aware of what I was doing to burn my painting— the one that I’ve been praying at and masturbating to— yes, the one that looks like the milf that keeps appearing in my dreams and also Demian and also my soul and also Abraxas, that’s right— and awoke to find that I had eaten the ashes
my buddy Pistorius pacing: rad. do you want to sit next to me and stare at this fire for 5 hours straight again
my dealer: got some straight gas 🔥😋 this strain is called demian (1919) it'll have you zoinked outta your gourd 💯
me: yeah whatever i don't feel shit
5 minutes later: the bird fights its way out of the egg. the egg is the world. who would be born must first destroy a world. the bird flies to god
my buddy emil, pacing: abraxas is lying to us
‘Demian’ by Hermann Hesse - Book Review
Genre: Psychological/Spiritual
Rating: 4/5
Summary: When Sinclair, as a child, first experiences the dark side of the world apart from the bright side he grew up in, he realizes there must exist a balance between the two worlds in his life.
My Opinion: This book literally got me hooked since the first chapter. The writing style is so breathtaking that I had to stop reading from time to time. The first chapter called us all out. How can we call ourselves the people of light when we sleep peacefully at night knowing that our neighbors are out there, suffering in the dark? Throughout the whole book, the aspects of the world and humans are all divided into the two worlds; that is the ‘bright world’ and the ‘dark world’. But of course, one cannot exist without the other. With this mindset, the writer had presented a beautiful coming-of-age story. Another point I noticed worth mentioning is that the learning process from one’s inner self other than what the world has to offer. This way, we can grow as a person with full freedom. Even though there were things which were a little obscure to me, I still enjoyed most of the book. It had taught me things about myself which I was too afraid to admit. Somehow, I found this book to be a life-saver. I still think it is not for everyone though. Some people might find it a little disturbing while others might fail to connect to the moral concepts of it.
Confession Time: I would have probably never read this if I didn’t know that the ‘Wings’ album of BTS was based off this book. And I’m glad that I did because it is one of my favorite albums by them. Being a person who likes to interpret double meanings and metaphors in arts, I found the references of this book throughout their music videos, short films and songs really amusing.
Characterization: I loved the characterization of Sinclair. But about Max Demian, I’m not a hundred percent sure. Sinclair is a relatable character. I, too, can relate to him in terms of his way of distinguishing the good and evil. Another thing about Sinclair I also find in myself is that he’s a bit pathetic. One way or the other, he is always clinging onto someone, be it his parents from the ‘bright world’ or his friends from the ‘dark one’. I loved the fact that when he found himself surrounded by complete despair and evil, it was love that had drawn him back into the world. I loved the author’s way of describing Max Demian, His appearance was so appealing and haunting at the same time. It totally suited the character that he represented.
Quote: “If you hate a person, you hate something in him that is part of yourself. What isn't part of ourselves doesn't disturb us.”