Briarmors - Blog Posts

END.

Irene didn’t blink. Didn’t smile. Didn’t rise to meet the bait like so many did — like Briar wanted her to. She just kept her eyes on the other woman, the corner of the worn label finally peeling back beneath her thumb like paper tired of keeping secrets.

“For fun?” she echoed, tone flat enough to skip.

She set the jar down with a soft clink. Not careless, not reverent — just exact. As if even glass had a place, and she wasn’t in the habit of misplacing things.

“I mend things that don’t belong to me,” she said, matter-of-fact. “I walk places people don’t think to look. I make sure what’s buried stays that way.”

A pause, but not because she was searching for anything. She just wanted the silence to sit there for a moment, thick and quiet and full of things unsaid.

“I’m not here to amuse you,” Irene added, finally lifting her gaze fully to Briar’s. There was no heat in it — just clarity, cool as the bottom of a well.

“And I don’t trade in curiosities.”

She stepped back behind the counter, rolling her sleeves down one at a time, slow and methodical like it was the end of something, not the beginning.

“But you asked. So that’s it. That’s your favor.”

Her hands moved to the ledger again, pen flicking once to mark a line through something unseen, invisible to everyone but her.

“No refunds. No rerolls. If you wanted stories, you should’ve asked for something easier to return.”

Irene didn’t blink. Didn’t smile. Didn’t rise to meet the bait like so many did — like Briar wanted her to. She just kept her eyes on the other woman, the corner of the worn label finally peeling back beneath her thumb like paper tired of keeping secrets.

“For fun?” she echoed, tone flat enough to skip.

She set the jar down with a soft clink. Not careless, not reverent — just exact. As if even glass had a place, and she wasn’t in the habit of misplacing things.

“I mend things that don’t belong to me,” she said, matter-of-fact. “I walk places people don’t think to look. I make sure what’s buried stays that way.”

A pause, but not because she was searching for anything. She just wanted the silence to sit there for a moment, thick and quiet and full of things unsaid.

“I’m not here to amuse you,” Irene added, finally lifting her gaze fully to Briar’s. There was no heat in it — just clarity, cool as the bottom of a well.

“And I don’t trade in curiosities.”

She stepped back behind the counter, rolling her sleeves down one at a time, slow and methodical like it was the end of something, not the beginning.

“But you asked. So that’s it. That’s your favor.”

Her hands moved to the ledger again, pen flicking once to mark a line through something unseen, invisible to everyone but her.

“No refunds. No rerolls. If you wanted stories, you should’ve asked for something easier to return.”

Briar's confused by all the obfuscation; ledger this, ledger that. Goodwoman Stephens is brave indeed, dealing with this sort of orderly chaos. Were she to start her own public facing endeavor she'd not last the week before she was caught trafficking in sleep aids because some neck-tied hoglet a city over wanted his cut of the coin. Of course should the police come for her they'd all be quite dead in short order; food for the root, but that would beruin the point; the girl is overcautious.

Still, whether it's the 1720s or the 2020s she supposes a pig's only ever good for carving.

"But asking games are such fun!" She muses. "Tch. You've so serious a tone. I'll wager too that you're quite the stickler aren't you? How about this, as I've no need for any materiel; Tell me, what do you do for fun? Outside this shop I mean. Otherwise, I simply won't believe you know how to have it. That's the favor I ask."

Irene didn’t answer right away. Just watched the woman with the kind of look that skimmed bone. Not cruel, not even particularly suspicious —just precise. Like she was measuring something invisible. Weight. Intent. Teeth.

Then, a shrug. Small. Barely there. “Not everything that’s useful fits between the margins.”

She moved again, slow and exact, reaching for another jar to adjust. A label needed scraping. She used her thumbnail to work at the edge like it might confess something if she pressed hard enough. “Some things don’t have names that play well in the ledger. Others don’t have names at all.” Her voice stayed even. No lilt to soften it, no pause to check how the words landed.

She didn’t look up this time. Just kept working the label.

“I don’t ask what it’s for. You don’t ask where it came from. That’s the rule.”

A beat passed, enough for the silence to feel deliberate. Then, finally, she glanced back toward the counter, toward the curious tapping fingers and the woman who’d stopped pretending to be small.

“You get one favor like that,” she added, and this time her voice held something firmer underneath. Not threat. Not warmth either. Just certainty. “Spend it how you want. But just thisd once.”

She leans on the counter, again, and peers at this woman, eyes searching her up and down. Does she remember her from those first fraught and frazzled weeks? Mayhaps not. On her best behavior, she'd been in those earliest days, save for to the few dregs of Ironwood she'd fished up, none of which are hitherto present.

Best behavior no longer, however; The Deathroot is awake, and it has a twin somewhere in the city right now. She is alive with magical fortitude now. Chaste modesty and shrinking lily behavior have outlasted their usefulness.

"Off the books?" She questions. "Do paint me with curiosity, call me a cat, then."

She drums acrylics on the countertop. "And what could be so sensitive that one working in this shop for your Lady of House needs it be off the book?" Genuine question, genuine curiosity.

Irene’s mouth twitched, not quite a smile but close enough to pass for one if you weren’t looking too hard. “She’s definitely got her own methods,” she murmured, sliding the parcel gently off to the side like it might shift on its own if given the chance. “Half of what she says feels like riddles until you’re knee-deep in it and realize she gave you the answer three weeks ago.”

She didn’t comment on the sleep. Just nodded, once—like she understood more than she was willing to say. Like maybe sleep didn’t come easy on her end either. At the mention of the cabaret, her gaze flicked back up, steady. Not judgmental—just observant. She knew the name. Everyone did, if they’d been in Port Leiry long enough to learn the map beneath the map.

“Mm,” she said again, a catch-all sound that meant, I’ve heard of it, that tracks, careful in there. But she didn’t say any of that out loud. Just moved to straighten a jar on the shelf with idle precision.

She wasn't the first Phial she'd seen come through. They move quiet, but they move together. Irene never met one who didn’t have at least three others watching her back.

She let that settle, then turned back, gaze sharp beneath the tired.

“You ever need supplies on short notice—real ones, not dreamless tea—I keep some stock off the books. You just have to ask.”

She didn’t say it with warmth. But she said it with clarity. Which, for Irene, was as close as you got.

"There's a good poppet," she says, air affectionate, and flashing a smile to Irene. "Kiri's methods are a madness all their own, I understand."

To the next question she offers only a shrugging motion at first before continuing; "Night shift, mostly. I've my own troubles finding sleep. Or had, at the time."

Sleep does come easier now; with the death root being fed and the sun going down in the sky every day she's no longer stuck in the cyclical horror of an endless winter's day. The strange dreams, not her own, have also been ferreted out; a situation she is dealing with, or planning to, slowly.

She smiles again. "I work down at the Satin Cabaret now, playing my wiles and wares there."

A knowing wink. Phial is a federation of self-motivated witches; relatively free of dogma or overbearing code. Support eachother, and keep eachother secret and safe; it is a rule which even she has no qualms abiding by. If Kiri trusts this woman here at Tumatarau, so will Briar.

Irene didn’t flinch at the mention of imprisonment. Just blinked, slow and tired, like the word didn’t surprise her — or maybe like it just didn’t matter here. Plenty of people came through this town with things trailing behind them, and it wasn’t her job to follow any of it home.

“February,” she echoed, half to herself. That would’ve been after she got here. After she’d unpacked more than she meant to in a house that still felt as empty as the moment they walked in. She hadn’t touched her inheritance yet. Back then, she thought she’d be in and out, keep her head down, move on. Not still here, not letting the town get under her skin.

She caught sight of the tattoos when she moved — didn’t stare, didn’t ask — just noted the language like you do a warning carved into stone. Then her eyes dropped to the parcel. The mix didn’t surprise her, though the mention of wombs did. Irene’s jaw shifted slightly — a faint, reflexive tension — but she didn’t rise to it.

“Appreciate the warning,” she said, tone steady. “Won’t add it to the tea. That blend’s for the everyday folk. Not the kind looking to sink too deep.”

A pause. She finally reached forward and pulled the parcel the rest of the way toward her, careful not to jostle it too much.

“I’ll tag it for storage,” she added. “Stephens’ll know what to do with it, if it’s meant for her.” Her voice softened a little, though not by much. “She doesn’t write much down. But she remembers everything. Like a bad habit.”

Irene let the silence sit for a beat, then looked up again, brow just slightly furrowed. “She teach you much? Or were you mostly here for the night shift?”

"Briefly, when I came hitherto from imprisonment." She has always taken little and less care in masking her nature as something not altogether mundane. She makes no bones about either her nature as a witch nor at her prickly nature. She invites conflict, because conflict often feeds that which needs be fed. Besides, she's among allies here in Tumataru;

"Took my leave come 'round February, working the late shifts here for the nightfolk and latecomers. I find shop work dreadfully boring even if the goods aren't, much more fun, dancing for wandering eyes." She rests a hand, dotted with old ancient tattoo-work - symbols and glyphic signs that will make sense aught anyone else but her - on the parcel she's set down and slides it down the counter.

"Hemlock, hogsweed, and a bundle of oily snakeroot that might find home in your Dreamless Tea. Take care though, only a dram of that if you do, lest you accidentally fallow the womb of some poor woman who simply seeks help for night terrors."

Irene’s eyes flicked up just long enough to catch the shape of the woman behind the counter before dropping back to her screen. One corner of her mouth tugged — not quite a frown, not quite amusement.

“Goody Stephens isn’t in,” she said simply. “Hasn’t been for a while.”

She finally set the tablet aside, screen darkening with a quiet blink, and leaned back in the chair like someone bracing for a shift in weather. The stranger —no, not quite a stranger, not if she knew where the burdock root was kept and didn’t flinch at the smell of the drying room —had that familiar kind of confidence that came with previous access.

“She’s not here,” Irene said, tone dry but not unkind. “But I can take the parcel.”

She didn’t move to grab it. Instead, her gaze followed Briar’s fingers drumming on the wood. The sound grated just enough to set her nerves on edge, but she said nothing about it. “Yeah,” she said after a beat. “New-ish.” That was all she offered at first.

As for the dreamless tea, she gave the barest shrug. “Nothing fancy. Valerian, skullcap, pinch of nettle. Enough to knock out a restless hedgewitch without leaving ‘em foggy in the morning.” She paused. “Does what it says. No bells. No vampire facials.” That part almost sounded like a joke. Almost.

Then, softer —less like a statement, more like a test, “You worked here before?”

"Oh I wasn't aware Goody Stephens closed shop til dawn, given... well..."

Best not be outing things to new faces, Briar - a bit of subtlety, indeed. This one might be soft-headed, might need held by the hand; it has slowly dawned on her in her some five months living in this town that not all are quite so well equipped to handle the mania of the second, darker world lurking below the obvious.

"I'm simply here to drop off some fresh herbs for her; a gift in exchange for a favor paid; is she not here? Zounds, I'd have spoken with her."

Briar adjusts a parcel under hear arm, drums her heavy acrylics along a counter as she peers about the shop before settling on Irene. "You're new - or I simply haven't been back in a while." Then she's behind the counter, like she knows her way around; Goodwoman Kiri had helped her along in work for those first few months. Now she has slightly more exciting employment, but she's a soft spot for this little shop still.

She leans on the counter then, looking up into the woman's eyes, trying to suss out a first impression. "Dreamless tea, though? Do tell."

She never knows, with things as they are. Things are sold with strange names that are all smoke and spice and no delivery on substance. She'll never forget the disappointment that was vampire facial.