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I wish I was a Mayfly (đˇđđđđžđâ đâ´đžđâŻđ)đŚđŚđŚđŚđŚ on the River Tay
HE. TOUCHED. MY. HAND.
forest father yet again
Hozier!
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Hozier really said to future generations, itâs not your fault. You canât âwork hardâ and get what you need and want. Itâs not your fault that the dreams of fifty years are now unrealistic and unattainable without breaking your soul and maybe not even getting it. You were fucked over before you came into this world, and they continue to fuck you over so much that itâs better to live your life as you see fit. It would be easier because being young and living as you want wonât ruin you but abiding by the systems most likely will.
feeling this so deeply in my soul after seeing him in concert last night
The way Hozier just stands with his hands in his pockets and casually belts. It should be a crime.
take me to church(hozier's concert)
y'all remember when dante wrote a fanfiction of the bible and then hozier wrote a fanfiction of said fanfiction?? iconic if you ask me
i'm fairly sure that each time i hear "and though I burn how could I fall when I am lifted by every word you say to me'' my soul literally leaves my body and i start levitating
the only important question you should ask yourself every morning is whether it's a "take me to the lakes" or "take me to church" kinda day and plan it based on the answer
some part of me must have died each time that hozier called someone baby
- Cherry Wine live at the O2 Academy Sheffield
This is too beautiful to just sit in my camera roll
This is so true. Will Graham is so Hozier coded
âhannibal nbc stimulates all the same parts of my brain as hozierâs lyrics
Ok so hear me out âcause Iâm going insane over this, but the parallelisms between Let Down by Radiohead and I, Carrion (Icarian) by Hozier????
The "protagonists" of the two songs start from two diametrically opposite situations: while Icarus flies high and free in the sky (he has âreached a rarer heightâ), Radioheadâs alienated is grotesquely compared to a bug crushed on the ground (âshell smashed, juices flowing / wings twitch, legs are goingâ).
Both these situations result, among other things, from the words that others have said to them. Words full of love that become the wind under Icarusâs wings, theyâre what makes him fly, but also what distracts him from realising heâs falling towards his death (âand though I burn, how could I fall / when I am lifted by every word you say to me?â). On the other hand, the verse âlet down againâ and all its variations indicate how the âbugâ has always been disappointed by other people. We can assume that the words itâs used to hear are a lot of things but uplifting, but maybe itâs also what makes it so much more aware of what surrounds it than Icarus.
These different experiences have led them to have very different values/ideas. In fact, the âbugâ says âdon't get sentimental / it always ends up drivelâ: it warns itself against hope because it knows that if it starts getting âsentimentalâ the fall thatâll follow will be that much worse.
On the contrary Icarus is all about 'sentimentalism' (which is also given by the way Hozier writes) and this is because he has the support of the one he loves, who holds up his sky (âonce I had wondered what was holdin' up the ground / but I can see that all along, love, it was you all the way downâ).
In a sense then we could think that the âbugâ was right: Icarus does fall. However, for him the sheer euphoria and the all consuming love he felt while flying are worth the fall â he has no regrets and just one wish: to fall besides with his lover.
This is the exact opposite of what the âbugâ thinks: for it the risk of getting hurt even more is just not worth it â it only knows pain and thatâs why the rational side of him warns him against hope since itâll cause even more pain. However, thereâs also a side of it (the âhysterical and uselessâ one) that cannot help feeling hopeful: it feels like âone day itâs gonna grow wingsâ, that one day a âchemical reactionâ (which could refer to the idea of 'to have chemistry' and so could mean love - obviously not necessarily romantic love, but in a more general sense) will get it out of its hole.
But then the âfloor collapsedâ also for the âbugâ, even if it already was on the ground: a âfrom bad to worseâ type of situation.
In conclusion, we could say that both Icarus and the âbugâ fall because they try to be more than human (in very different ways). Icarus is not a god and so he doesnât have wings (âI do not have wings, love, I never willâ): instead of getting down to the grown and build something stable with his lover whoâs carrying the weight of the world on their shoulders all alone (âwhile you're as heavy as the world / that you hold your hands beneathâ), he recklessly keeps flying higher and higher until the sun finally burns his wings to ashes.
On the other hand, the âbugâ just allows itself to fall because, by refusing to feel âsentimentalâ, it tries to eliminate its humanity since a fundamental part of being human is to feel emotions. Precisely because it tries to lock away their 'sentimentalism', it falls a second time â something that might have been avoided if only the âbugâ followed that hope and actually tried to make its situation better.
Ok, so does anyone else see my vision? Are these the signs? No but really, I hope this makes sense.