tinkermeaway

Latest Posts by tinkermeaway

you’re the loss of my life” cinematic universe

Do you think Luca Guadagnino ever read tennis rpf on Ao3

Ah, Salem, how I miss you <3

First we’ll take over the school, the State and then the world!

Sabrina the Teenage Witch – 2.19: When Teens Collide

I thought we wouldn't be like them, but I was wrong. You won't leave your husband, so I'd rather go away. In the Mood for Love 花樣年華 (2000) dir. Wong Kar-wai

Now that would've made an interesting musical number

the high school musical x challenger connection has made my week

in the words of katya, “here’s the thing about being gay: sometimes, it gets sad.”

Ryan Coogler explained in an interview that Remmick was partially inspired by the character Death in Puss in Boots: The Last Wish (2022), noting both his eyes and demeanor.

we needed more scenes of art in 2011... one of his best looks imo he really perfected the sad eyes, distraught look

don’t you drop that guitar sammie

@/mothercain. twitter, 14 mar 2022.

nettles (teeth eater)

Our Unwritten Seoul 미지의 서울 (2025) Dir. Park Shin Woo – Ep. 4

When Life Gives You Tangerines

This drama is so unique in it's storytelling. I'm watching it with my mom and I told her that I love how the pacing isn't in any order whatsoever. It feels natural, almost like being told by memory. And memories aren't always in chronological order.

It reminds me of sitting with my grandma in the garden, asking her stories about her childhood, starting from when she was a little girl to when she had my mom and my uncles, to her own siblings, then to her marriage. It leaves me with the same fluttery feelings, all warm and joyful. Yet the drama also offers so many perspective about life, about how people become when they grow up. As kids, we had big dreams and even bigger ambitions, but then as adults, we just try to do our best. Sometimes we fail but we try to make do and give ourselves a little bit of grace. Because this is our first life, everything is a first time.

The episodes just wreck me every. single. time. I don't think there's ever been an episode where I didn't cry. So many of it is just being grateful to my parents. I know I'm luckier than most, and I know that sometimes I'm a brat who doesn't appreciate it enough. But I know that nobody else would love me as much as they do and no amount of gratitude would ever surpass everything they did for me. Oh my God this is turning out to be so sappy. But I think that's exactly what the drama wants us to realize, that life goes on and always goes on. Don't have too many regrets. Tell your parents you love them. Find a partner who would treat you right, who would be your ally and your friend, someone you'd want by your side even if the whole world comes crashing down. And love yourself deeply(!!). When you do all this, everything just follows.

Needless to say I love this drama. I believe it's one of those that'll stick with me for a very long time.

— They, too, are all just pretending to be adults because people tell them they are. — I just want to quickly grow old.

“The world is full of uncertainties and we're shaken up by them all the time. While we sway this way and that and are broken by them perhaps we will one day learn to bend instead of breaking.”

~ Bareum Jeong from Romance 101 by Namsoo

We all need a Na Yuyeon

Nah gurl......if my man ain't like Yuyeon Na, I don't want him

⌕ seasons of blossom.

like or reblog if you save/use. ✨

I have a personal vendetta against daily pass. Like what the FUCK do you mean that if a webtoon is complete you will slap me with a charge to read an episode. FUCK OFF NAVER.

i hate daily pass so much. wdym i cant binge re-read my favorite webtoons??? i dont have the type of patience to wait a day between episodes. GIVE ME BACK MY BINGEABLE COMICS WEBTOON

say it like you mean it with your fists for once.

This film will forever break my heart. One of the best hitman and the child bits ever.

“Who the fuck are you?  Why did you come all the way here for her?” “I’m her next-door neighbor.”

⋅ʚ Aftersun: Are we happier in our memories than in reality?⋅ʚ

➴ January 23, 2025. ₊˚ෆ

While this is a transposition that has nothing to do with Seneca's entire statute, I firmly believe that Charlotte Wells's film is so multifaceted that it allows for opposing and complementary readings of its characters in equal measure.

────────────────────── ୨ৎ ─────────────────── The situations are pleasant, simplistic yet heartbreakingly human, with Calum's (Paul Mescal) tender witticisms and his father jokes concealing conflicts that slowly escalate into their reality. The film shows us, without much fuss or show, that time does not heal everything, that we are happiest in our memories because they sometimes fade for our sake. What are we but the pictures of our happy moments, or the silly dances in places where no one knew us? Aftersun is a subtle visual and narrative treatment of pain, but it does not completely erase it. Like time, the film navigates in our memories, in what we may have overlooked unintentionally or by force. We are Sophie in the past and in the present, sometimes also Calum, trying his best not to ruin the moment at the cost of our own peace.

It would be foolish to pretend that this coming-of-age film, full of emotional mirrors for the viewer, is a film of tissues and snot for the simple pleasure of appealing to our empathy.

Aftersun works on a micro level with vital elements such as nostalgia and loss in all its forms. Action, or the lack of it in the face of different situations, is also what makes Wells' work so special, for aren't we the ones who deform past events to the point of unconsciously changing them? the ones who miss not having noticed things we couldn't intervene in? The powerlessness of an isolated space like the present of the past, Sophie's position as a child not allowed to help her father, and Calum's willingness to keep everything to himself in order to make her happy.

The intimacy of the film goes beyond the superficial analysis of its subject, because visually it feels alive, with a pastel, almost dreamlike texture, and a camera that allows the characters to exist in silence, to be more than their careful dialogue. The lighting plays an important role in the expression of the characters' minds, like the clue that is removed by the first experience, which, from a spectator's point of view (like Sophie's), makes all the sense in the world. His narrative does not replace the aesthetic, but accompanies it, without in any way overlapping it.

One hour and forty-two minutes condense weeks of experience, years of pain and the innocence of two characters who are nothing more than ghosts to us and to themselves, and all that time is not enough to heal the emptiness Aftersun leaves in its viewers or to dry the escapist tears of those who say they never cry at the cinema. It's a film to live and relive, because your own memories will be there, and it will look more beautiful with every viewing, even if it hurts.

-ˋˏ philocalistherzˎˊ

when your ex best friend is absolutely eviscerating you emotionally but you still make time to try and get a quick sneak peek at his cock ❤️

I could watch the scene of smoke lighting up the klan a million times with pure satisfaction on my face

Greta Gerwig peaked at Ladybird, nothing can come close to the perfection she delivered in her debut.

here's an even broader one. what's your cinema hot takes? give me the juicy takes

Can it yearn bitchesss

(source)

Tony Leung and his slutty little mustache in the short film, In The Mood For Love 2001 by the master, Wong Kar Wai.

What really gets to me is Stack promising Sammie that he could drive the car on the way back—which Sammie does—but no one could’ve ever imagined that he’d be driving back alone.

There’s also the moment at the beginning of the movie, when Smoke and Stack pick up Sammie from the church, and Stack promises their Uncle Jed that he and Smoke will get Sammie back to him in one piece—which they do, more or less.

Even though it’s Sammie who physically gets himself back home, he does, in fact, make it back in one piece—thanks to Smoke making Stack promise not to hurt Sammie and Stack agreeing to let Sammie live out the rest of his life.

It’s beautiful—yet bittersweet—how, even if Stack doesn’t realize it, all three of his promises regarding Sammie were honored in the end.

My guess on the meaning of the movie ladybird. (Because I haven't slept and I've been thinking about this and it's 5 am)

Christina created her own persona "ladybird " where she can escape her mother's and the world's rules and expectations for her. She, as ladybird can be and do anything.

However, in doing so, she builds walls to protect herself using and absorbing the same abusive personality traits her mother has. Re-purposing those abusive traits makes her a part of the cycle and is the main ironic theme of the story.

This backfires, however, because she becomes the person she's trying to defend herself from. She becomes, in a way, her own abuser. That's not to say her mother had no part in it bc she was part of the cycle too.

The ending of the movie was to show how she became her own person, a part of her family and love for her mother, and a part of her own story too. Showing the two versions of herself can coexist in the usage of her name as a metaphor.

The only thing I didn't like was that the mother seemed to only feel regret about her actions and never seemed to truly attempt to fix her patterns of abuse.

Idk. That's just my take on it.