Every writing tip tells you to read a lot to write a lot, but I have been having a hard time reading after I started writing. Everything seems so predictable, you start a book and notice a hero's journey and boom you know exactly what the story is going to be, or after you learn how to foreshadow you get all the little references and know exactly what the thing is leading to. It just feels boring. Do you know any way to overcome this?
Honestly, that really is the one big drawback to being both a reader and a writer. Once you have a grasp on how to tell a story, flaws in others' stories are more apparent to you. And that's what's happening, unfortunately... if the hero's journey is that obvious, even to another writer, that's a flaw in the storytelling. If the foreshadowing references are that obvious to you, that's a flaw in the storytelling. Because top quality writing should generally pass muster even to other writers. And I say "generally" because it's all subjective anyway, so what seemed predictable to you may still not be predictable to another writer.
So, where you're at is where a lot of more experienced writers find themselves... the books you're going to enjoy will have to clear a higher bar, and sometimes it can take some time to find authors who meet your personal criteria... but you will. You may want to take advantage of e-book deals, library books, ARCs, and samples for a little while as you try to find books and authors that work for you. Because I'd say probably the number one key to this stage in your writing/reading relationship is to not be afraid to DNF. I used to really struggle with DNF-ing, so I would force myself to read the book and end up reading like a page a day if I was lucky. My personal rule is I give a book 3-5 chapters. If I absolutely hate it by the end of chapter three or so and it shows no promise or merit, I'll happily DNF. If it shows some promise or merit, I'll give it a couple more chapters to see how it goes. If I'm not invested enough to keep reading of my own volition, I'll DNF then.
But... keep at it, because you will find writers and books that work for you. Also: if you've read enough that you're to that point--where you understand storytelling so well that you can spot the flaws in others' stories--you're probably past the point where you need to be reading voraciously. Because the whole point of reading voraciously as a less experienced writer is to learn how stories work through firsthand experience. So, don't feel like you have to be inhaling books if you're past that point. Read what you want, when you want. A lot of writers don't read a lot while they're writing.
I hope that helps!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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Animals tend to be the best alarm systems. if they suddenly kick up a fuss, it’s time to move. If they go completely silent, it’s really time to move.
My ability to proofread increases by 1000% after I hit “Submit”.
Everything was carved out of marble. From the columns that held up the ceiling to the glistening floors. Even the tables that lined the halls were all swirling shades of white and blue.
She never should have gotten up this morning. She knew it. Her dog knew it. And she was pretty sure the strange man on her doorstep knew it too.
We’ve all been warned about the dangers of using too much description. Readers don’t want to read three paragraphs about a sunset, we’re told. Description slows down a story; it’s boring and self-indulgent. You should keep your description as short and simple as possible. For those who take a more scientific approach to writing fiction, arbitrary rules abound: One sentence per paragraph. One paragraph per page. And, for god’s sake, “Never open a book with weather” (Elmore Leonard).
But what this conventional wedding wisdom fails to take into account is the difference between static and dynamic description. Static description is usually boring. It exists almost like a painted backdrop to a play. As the name suggests, it doesn’t move, doesn’t interact or get interacted with.
There were clouds in the sky. Her hair was red with hints of orange. The house had brown carpeting and yellow countertops.
In moderation, there’s nothing wrong with static description. Sometimes, facts are facts, and you need to communicate them to the reader in a straightforward manner.
But too much static description, and readers will start to skim forward. They don’t want to read about what the house looks like or the stormy weather or the hair color of each of your protagonist’s seventeen cousins.
Why? Because they can tell it’s not important. They can afford to skip all of your description because their understanding of the story will not be impacted.
That’s where dynamic description comes in. Dynamic description is a living entity. It’s interactive, it’s relevant. It takes on the voices of your narrators and characters. In short, it gives us important information about the story, and it can’t be skimmed over.
(I have a TON more tips about setting and description. These are just a few. But I’m trying to keep this short, so if you have any questions or want more advice about this, please feel free to ask me.)
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You type in the amount of words you want to write and as you write, your mini lil avatar fights a monster. Each word you write acts a hit towards your monster, and once you’ve hit your word count the monster is defeated!!!
How cute!!!!
Work quick though as how long you spent not writing decreases your avatar’s health. It’s a productive fight to the death against the clock!
You can PAUSE it!!!! Need go get a cup of tea? Need to sneeze? You can!!!!!
Settings are adjustable! You can change the monster’s speed and the attacks!
You can change the theme and font!
You can level up!!!!! The number of words you write equals your EXP. You can unlock one avatar thus far, but I believe there may be more in the future!
You can minimise the fight above if it serves as a distraction, and only show the decreasing green bar.
Best of all: If you don’t hit the target word count in time, YOUR WORK DOES NOT DISAPPEAR. In the past I’ve lost so much work because I wasn’t typing fast enough, or sneezed.I cannot express enough how thankful I am that it presents a challenge where the consequence is a knock of pride and not a fit of rage.
Honestly, I urge all writers out there to give this app a go. It’s my new favourite thing.
“In about three seconds you’re going to hear a very loud noise. Do not be alarmed.”
“You’re mine.”
“Do you promise?” It was a foolish, needy question and it embarrassed them as soon as it came out. “Forever?”
“Oh,” the demon cupped their cheek. “Always.”
This isnt a joke my favorite piece of writing advice that I’ve ever seen is someone that said if you were stuck with a fic and couldn’t figure out why or what was wrong, your problem is actually usually about ten sentences back. Maybe there was something wonky about the tone or the dialogue or you added something that didn’t fit but it’s usually ten sentences back. And every single time I get stuck in a fic I count back ten sentences and it’s always fucking there
IF YOU LOVE WRITING BUT DON’T HAVE THE INSPIRATION FOR A 10-PART BOOK SAGA YOU SHOULD TAKE A LOOK AT THIS SITE
IT’S INCREDIBLY HELPFUL AND CAN FOR INSTANCE GENERATE TOPICS AND FIRST LINES, CONTAINS LOADS OF EXERCISES AND YOU CAN FIND PLENTY OF WRITING TIPS.