Can't Stop Thinking About How In The Boy And The Heron The Old Man Went To Great Pains To Create A World

Benoit Blanc is an Ace Attorney character, I don’t make the rules

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(I haven’t seen this yet, how have I not seen this yet?? please excuse me if it’s been done before)

[ID: Illustration of Benoit Blanc from the Knives Out Series in a typical Ace Attorney witness stand format/style. He’s wearing a white button up and navy tie/suspenders similar to his outfit from the first Knives Out movie. The dialogue box reads “It makes no damn sense. Compels me though.”]

"I want to be a dragon."

I came across a xiaohongshu post that showed pictures of an abandoned traditional village in a mountainous region of China with very little surrounding greenery that had the captions: “so sad how traditional villages like these are empty and abandoned”

But the top comment was: “I am so happy for the villagers who finally made it out of the mountains and into new homes in prosperous cities. It often takes multiple generations of hard work to get the entire family out. Every family in this village achieved this. What you are looking at is the evidence of their success!”

And the second highest liked comment was: “You can tell this area has poor agricultural resources. The ancestors of the villagers were likely forced to settle here because more powerful villages have occupied the attractive fertile lands. Who knows how long they had been trapped here? I’m glad they finally made it out!”

Another comment with high likes: “My grandparents’ village was like this. Poor air quality from burning coal in poorly ventilated buildings. Bitterly cold in the winter. Dry and hot in the summer. Short growing seasons. And there was always a shortage of water. My parents got factory jobs in the city and after working and saving for years, they finally got all of us out.”

And it occurred to me how when we romanticize old fashioned villages and mourn the loss of the type of community they provided, we sometimes downplay and overlook the extraordinary liberation and agency that industrialization brought and brings to people who in previous generations had no option but to remain where they were born for most of their lives.

frequently requested tattoo designs

ANYWAY you cannot convince me that the air nomads didn’t have any sort of trade good based on the flying bison and aang just didn’t have the time or safety to make and sell any of these while trying to stop ozai. they probably did so much spinning just because drop spindles are super transportable, it’s something to do while flying long distances, there’s always a weaver somewhere willing to buy yarn, and there’s always, always large amounts of shed fur just. around. look at how much came off of appa that one episode. so much fur

so three things happen the summer after ozai is defeated and appa starts shedding in earnest again

aang starts spinning and selling yarn because that’s What You Do and he’s clinging REAL HARD to every possible air nomad tradition because, well, who else will remember these things?

toph hears about this and scruffs him before he can sell too much because she’s a merchants daughter and holy shit aang do you understand what you’re selling?? yarn from the last known sky bison! the avatar’s own spirit guide!! spun by the avatars own hand!!!! what are you doing aang!!!!!! she has to drag katara in at this point because aang is real unhappy with the idea that his normal flying bison yarn of, uh, questionable quality is being sold to exclusive high class weavers so they can make shawls for filthy rich nobles for baaaaaank just on the basis of his name. this isn’t how the monks did it :/ and he doesn’t WANT a lot of money anyway! he’s a monk!! he only asks for what he needs to survive!! anyway katara manages to talk toph around to donating most of the money to reconstruction efforts, charities, and orphanages and convinces aang that having an emergency fund is a good thing and he should keep something. aang accidentally ends up with a reasonably full bank account and is really confused about how that happened, why it’s there, and what he’s supposed to do with it

there is a real weird period of time where it’s In Fashion for high noble ladies to have shawls and scarves dyed the same color as aangs clothes (because that’s how you know it’s made with special avatar yarn!) or have images of appa woven into them (can you imagine a shawl that’s just a full length body shot of appa?? amazing) and all the earth kingdom nobility are just rocking green and orange like nbd. weaving decorative shawls with slubby yarn becomes really in fashion, too, because aang is not great at spinning. he’s 13 and it’s boring, ok?

BONUS sokka is just. so mad. you could have been making bank with appa the whole time we were scrambling around the planet aang? do you realize how much more food we could have had? how many more hot baths?? how could you betray me like this

(probably the air nomads also did a lot of weaving but it was mostly the pregnant nuns and the really old nomads so it’s a little off aangs radar. and does aang eat cheese? it never comes up in series but I would also believe that the nomads made a lot of air bison cheese and bison butter tea)

I draw way too much tracer and moira, and that's okay?!!

Am also testing some shading styles 🙌

Capitalist GF

OJ treating Angel like a horse.

“I have never felt myself to be ageing: on the contrary, I have always had the strange sensation as time passes that I am getting not older but younger. My body feels as though it has innocence as its destination. This is not, of course, a physical reality – I view the proof in the mirror with increasing puzzlement – but it is perhaps a psychological one that conscripts the body into its workings. It is as though I was born imprisoned in a block of stone from which it has been both a necessity and an obligation to free myself.”

— Rachel Cusk, Coventry

Émile Friant, Cast Shadows, 1891