Punks-in-beerlight - Sweet, Sweet Nothing

Ozy Worldy

This is how Hannibal looks when he’s visiting crime scenes

Silver Jews - Honk If You’re Lonely (1998)

I know it seems sad to be so damn blue

neil young harmonica solo feels like going to bed with the window open in the summer meanwhile bob dylan harmonica solo feels like you're being attacked with knives

Academy Award Winners for Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord of the Rings: The Fellowship of the Ring (2001) Directed by Peter Jackson Aspect Ratio: 2.39 : 1

Andrew Lesnie immersed himself in the project by rereading the books and going through hundreds of sketches and paintings created by Tolkien artists Ted Nasmith, Alan Lee and John Howe. “The art department was a constant source of inspiration for me,” Lesnie recalls. “In the main hallway was a huge mural that was a condensed visual interpretation of the narrative for the trilogy. It consisted of conceptual drawings, set designs, costume designs, location photos and so forth. It was a matter of throwing everything into one great big pot and letting it simmer.” A big pot it certainly was, for the three films entailed 274 days of principal photography encompassing 600 scenes, 350 sets and more than 4 million feet of exposed negative. “The Lord of the Rings trilogy deals with such a staggering number of issues and takes so many directions that it’s better to let the process operate subliminally. That way, your work starts springing out of a different place than you might normally anticipate.” While Lesnie and Jackson viewed other films for elements such as staging or stylistic treatment, both knew that the books were the obvious source of inspiration. As Lesnie declares, “Tolkien’s writing is exceptionally eloquent in its depiction of feeling and mood.” — American Cinematographer, December 2001