Rip Dabert You Would’ve Loved Charli XCX

touya & fuyumi

"The struggle of brotherly love"

Sorry to bother you but I’ve been getting into BSD and Chuuya’s my fave, but I’ve been seeing some contradictory things in fanfic so…

Does Chuuya actually have a god sealed inside him? I thought it was just like his power without limitations and was dubious of those takes, but since eldritch beings can apparently be a thing (and not an ability), I think it could be plausible either way.

Though even if it’s not I can see why people would use that route for some good angst.

This is not a bother at all! This is something I very much like to talk about

if you're really new I do recommend you go read both "Dazai, Chuuya, Fifteen Years Old" and "STORM BRINGER" light novels (but SB especially), not only are they great books with Chuuya as the focal point but they will help answer your question in depth (you can buy the English translations but I can help you find the translation online if that's what you need, just message me again)

The short version is that Arahabaki being an actual god, a separate entity from Chuuya that has a personality/a voice/desires, is a common fanon trope, but not a canon fact. The truth is more complex and much more fun, lore-wise, in my opinion

And now the long version, because I'm passionate about this and this is my excuse to deep dive into it (spoilers for Fifteen)

In Fifteen, Chuuya says this:

Chuuya himself presents "Arahabaki" as nothing more than pure power. No thoughts, no personality, but powerful for sure.

That phrasing in Fifteen created a lot of confusion I think, talking about gods as real but also not:

But I think it's more of a symbolic reference, talking about immense power that seem out of this world. Because in practice, as Chuuya said before, "Arahabaki" is simply raw power, not an entity. You can't pray to it, it can't understand you, it can't perform miracles (which is why he knew the Old Boss couldn't have been brought back by Arahabaki and it was all nonsense from the start)

I'm also putting part of the blame on the anime, where they decided (while not being exactly wrong either, out of context it's weird) to illustrate Chuuya "floating in a bluish-black darkness, surrounded by a transparent seal" and being pulled out by a hand:

like this:

When, if you actually reread that part in the novel with knowledge about Storm Bringer, it's actually this moment that was being referred to:

Which brings us to Storm Bringer! (heavy spoilers I'm serious)

"Project Arahabaki" was the Japanese government's attempt to create an ability weapon from an individual. They wanted to craft a singularity that could be used multiple times, thus granting them access to power that should not be accessible normally. They based their research on what France had discovered through Verlaine. The objective is to create a massive energy output through a self-contradicting ability, for which you need a vessel:

Chuuya is the device. "Arahabaki" is the massive energy. That massive energy can control gravity to the point of being able to create localized black holes! N implied that part of the lab's work for the Arahabaki Project was to modify Chuuya's body to be able to withstand the constant gravity effects on it so he doesn't just die. Chuuya's normal use of his ability doesn't seem to have any drastic effects on him, and his physical resilience (to getting hit, stabbed, poisoned, shot, electrocuted, to going through a black hole) does seem to imply they did succeed at least in part.

And this bit here explains why "Arahabaki" was the chosen name for the project; unexplained phenomena across History that can be linked to an ability going haywire, but were attributed to god-like interventions at the time. So you're a funny little mad scientist, you read research papers from another mad scientist that named their own creation after a mythological monster, and you decide to do the same with your own local folklore.

But!

There's still something to be said about how "Arahabaki" is a singularity, and therefore, has its own set of rules. Chuuya does loose control, Chuuya does regress to a sort of destructive instinct while under Corruption. But "Arahabaki" is still no more than an ability singularity. Here's what is said about Guivre and Arahabaki:

They are both singularity life-forms. They exist because they are singularities; outside of it, they are nothing. The inner workings of abilities are still mysterious, but most of them have a link to their wielder's desires. For example, Atsushi's Tiger is there to protect him, a mirror to his will to live no matter what. Verlaine's Guivre is similar:

Guivre was a beast born out of Verlaine's loneliness and resulting hatred. He felt deeply alone in not feeling/being human, and through Pan's (his "creator") special "programming" of Verlaine's ability, N was able to trigger the true form of his singularity with that flare gun and metal powder, which took the form of Guivre. It's what the hat was supposed to prevent, but Verlaine had already lost it by then.

Chuuya's Arahabaki is probably similar. Its first apparition was when Rimbaud tried to absorb him and use his ability for himself, and any subsequent use is linked to grief and survival. Basically, if they're their own entities, they are still born in a specific context and deeply linked to the original ability user's character. And Arahabaki? Only exists if Chuuya uses his activation phrase to get rid of the limitations put into place to prevent him from exploding:

More about about Corruption: SB is kind enough to give us an explanation on how the nullification process works, right here:

Chuuya's self-contradicting ability makes him able to control gravity through the sheer amount of energy it creates by permanently interacting with itself. It is kept under control through the use of an activation phrase, O grantors of dark disgrace, do not wake me again, which, after being either said or thought by Chuuya, will open his "Gate" (which I'm interpreting as a blocker put in place by the lab so the singularity doesn't just kill him, like those poor people they mentioned existed through History), and by opening it, "free Arahabaki's true power" (aka Corruption). When Dazai uses his ability on him, the base self-contradicting ability is nullified, which cancels out the singularity taking place, which stops Corruption and allows that "Gate" to close again. The red markings are there because they're cool and fun.

To conclude, I'll let Dazai do the honors:

bonus: what does that mean for Chuuya's ability?

bons 2: Perceived timeline of Chuuya's past and what happened to to create confusion around his humanity

im sorry, remind me HOW people find niragi attractive?? i mean, were talking about the same niragi, right?? THE RAPIST???????????????

sometimes i’m sooooo blown away by the fact that kevin is so smart……. like yes he is the fox with the highest grades despite being also the fox with the tightest training schedule and yes he canonically gets called an obsessive genius and yes the extra content explicitly says he is both very smart and very willing to teach people. but really i am thinking about kevin playing reporters like fiddles, jean calling kevin too good of a liar to ever let anything slip, kevin going up to andrew post-game and wordlessly helping cover up the fact andrew is off his medicine by pretending andrew’s racquet had broken (and then proceeding to discreetly crush it in his hand when the foxes gather around andrew), kevin living a lifetime of walking on the edge of riko’s knife, kevin hiding french, hiding thea, kevin spotting potential from a mile away, kevin who even riko thought was brilliant and sharp-tongued. yeah……..!

togachako wedding ft himikochan touyanii siblingry saga. part 1

if you were curious abt the logistics of dabis 2nd fake death in my own line of story its this

“The corruption begins with the mouth, the tongue, the wanting. The first poem in the world is I want to eat.”

— Erica Jong, from “Where It Begins,” Fruits & Vegetables: Poems By Erica Jong (Holt, 1971)

*while waiting outside the principal’s office* Megumi: What are you in for? Yuuji: Oh, they just want to know if it’s cool if I miss my classes tomorrow to run sound and lights for a presentation in the auditorium. What about you? Megumi: I stabbed a kid with a screwdriver. Yuuji: Megumi: Yuuji: We live very different lives. Megumi: Yes, we do.

Maybe I want too much but like three and a half years after the reveal you think more people would write a canonly accurate Dabi, in which he's less wanting revenge over the abuse and more just upset and obsessed with being discarded. Like I've resigned myself to fanon Dabi being everywhere but sometimes I pause and just wish people could be okay with the idea Touya adored his father and his motivation is being thrown away by him, not that he was "pushed" to be better, because we know Endeavor did the exact opposite in canon.

I don't know, I just like that dynamic more. I like the Dabi who screams in jealousy that Shouto has amounted to nothing even with abuse and seems to even wish he could have been in Shouto's place despite knowing what his kid brother has been too. I like the rage at being replaced and cast aside, I like the entitlement that comes from being so close and so far to fulfilling his father's dream and the yearning to be looked at. And yeah, I also like the uncomfortable idea that for the first three or years of fatherhood Endeavor actually had a kid who loved him before he ruined it all.

It makes all the more ugly how it turned out, and far more human to realize how much Dabi craves his father's attention and when this is now such a core part of his character, why am I rarely able to see it in fic? Why are people so against portraying a Dabi who loved his father and wished exactly to be what he wanted at one time? I don't think this Endeavor apologia, wanting to see the canonly written dynamic between them? It just feels like we can't leave 2020 in characterization.

idk i just think their relationship is one of the most interesting in the entire series