Interview With The Vampire 2.05 / Red Dragon (2002) Screenplay

hey have you ever made a post about what changes you would make to bnha to make the story more cohesive and less *gestures vaguely*

Hi @trulyisawesome 👋,

Great question! Please be aware that there's some spoilers below and that some of what I have to say may be an unpopular opinion.

It is also rather disjointed as this became a bit of a rant / brainstorm.

So here's a list of what changes I would make to MHA.

Give Bakugou proper consequences - such as having Aizawa expel him right away as soon as he makes to attack Midoriya. It would highlight the message straight away that bullies and abusers can't be heroes as well as the fact that power isn't everything.

Change Izuku's hero name to Dekiru - not Deku. I know some people like the reclaimation of this insult but I'm not one of them. Having Bakugou's insulting nickname meaning 'worthless' be instead changed to Dekiru meaning 'you can do it' fits more with Izuku's character. How he is an underdog who despite the odds never stopped trying with his dream.

Make Shigaraki Tomura the 'rival' as well as the 'villain' of the story. Think about it. What are rivals in these Shonens meant to do? To challenge the Protagonist and inspire them to become stronger. Bakugou in canon just tears Midoriya down relentlessly calling him "Deku" and calling the OFA holders "worthless nobodies" there's nothing inspiring about that. However - Shigaraki. He definitely could challenge Midoriya (both in views and power) and inspire him to become stronger. He's also shown to think of Midoriya constantly (separate to AFO's influence which is huge) so Midoriya could easily challenge (both views wise and in terms of power) and inspire him. Plus more interactions between these two would have done them wonders.

I would have Midoriya be the one to be kidnapped by the League rather than Bakugou. With Shiggy constantly thinking of him I believed this would happen, that Shig would try and fail to recruit Midoriya upon finding out he's a 'late bloomer'. It would also make a contrast between that moment and Izuku trying to save Shigaraki later because at that point they've both reached out to each other. And the whole narrative of 'saving Shigaraki' feels less forced.

Build up Shigaraki either as the main villain taking up AFO's villianous legacy like how Izuku is taking AM's heroic legacy or build up his redeemability by having him question what he was taught by his 'Sensei.' Either of these routes would be better than the inner child that is crying B.S. It neatly sidesteps all of the fact that Shigaraki canonically does not feel remorse or wish to change for any of deaths he caused. It is poor writing to try to redeem a character by throwing a pity party for them because they have suffered rather than addressing 'Do they want to be saved? Do they want to do better and change?' With Shigaraki, he wants to be saved from All for One but does he want to change or feel regret? Canonically, no. He uses Nomu's with no guilt. He kills people with no guilt. All he wants is destruction.

Don't redeem Endeavor - here's the thing. When Hori went down this route several things went wrong. Shoto lost his relevance as a main character and it became 'the Endeavor Show.' So instead, I would explore Shoto's POV growing separate from his Dad as well as reconnecting with both his siblings and his mum again as well as exploring their autonomous POV's. In canon, Hori scapegoated both Dabi and Rei to shift blame off of him which was a mess and muddles the messaging. Endeavor is meant to the symbol of the corrupt heroics 'redeeming him' undermines that.

Make Stain have a point. A controversial opinion but Stain in theory does have a point because there corrupt heroes (*cough* Endeavor *cough*) however the heroes Stain is shown to hurt do seem to be those he should like I.e Tensei Iida (who in the Spin Off Vigilantes is shown to be a good hero.) Give Stain targets that make sense I.e make a hero who is being corrupt, doing bad and being bad and have Stain hurt them. At the moment he just appears to hunt those that aren't All Might and dont emulate him.

Show Heroes / The Hero commission being corrupt more. Sure we have 'the optimist and murderer' Hawks as an example, Nagant who is in a few chapters but this corruption is meant to be a systemic issue. How the HPSC ruled and how the heroes have to bow to them is never fully explored I hate that (I actually wouldn't mind these guys being the actual bad guys of the series and the villians being the ones speaking out against them.)

I would establish Nagant as a character earlier. I would have Izuku be a fan of hers and I would have Hawks be mentored by her to support her place in the story and the impact of what happens to her by showing established characters effected by her and care for her. Since canonically it feels like Hori dropped her in the story out of nowhere.

Don't make Geten a Himura or reveal this earlier. Again. What was the point of this revelation? I could have seen this and been more open to it if it were revealed in the MVA arc. I would either have Geten rant maniacally about the purity and strength of the Himura Ice perhaps to parallel Endeavor's lust for power while Dabi stares at him shocked or not go down this route at all. Since now, it feels out of place and shoe horned in out of nowhere. And the incest stuff... I get that this sort of thing would happen in a world of quirks but what does it add? Rei is now canonically a product of incest - and what does that do? Narratively wise it nothing at all except give Rei's situation a whole other layer of ICK.

I would not give Dabi ice. What was the point of that revealation? His whole suffering comes down to the fact that he wasn't born perfect. That through Endeavor's quirk marriage he was born with a quirk that didn't suit his body and constantly harmed himself with his fire. Yet even so Touya used and continued to train his fire because Endeavor built up his sense of self as only his successor / how good he was with his fire then tore that away. Giving Dabi ice as a reaction to his near death state does what narratively? Shows Endeavor should have kept hurting / training Dabi when his quirk starts to hurt him? The whole point of Dabi's story should have been that he shouldn't have to be born "perfect" to be worthy of love yet the narrative robs him of that.

I would also either erase Dabi's kill count entirely or I would have it so that he accidentally killed those in the orphanage with his escape. And counted them in his 30 kills. This move I feel like would make him more sympathetic. It feels like Hori gave Dabi a kill count of random civilians to undermine him / his point against Endeav. Having him blame himself for the deaths of those in the orphanage (and them be a majority of his 30 kills) helps his redeemability because it proves despite his words that he still feels things and is in fact emotionally repressing things due to trauma.

Build up Toga Himiko as a sympathetic villian from the get go instead of a "Blood Yandere" or just make her a full irredeemable villian. With Toga from the start I would give her internal conflict about killing others, give her guilt about taking lives to feed her addiction to blood, make her try not to take lives /her killings accidental before she loses more and more of herself to the thirst for blood which then Ochaco could 'save' her from by reminding her what she wants is genuine connection/ help. Or I'd have her be a full unrepentant villian that needs to be stopped.

Explore the full consequences of Twice's death on the League and proper rammifications for Hawks. Or Don't kill Twice - redeem him instead. I like Twice, I feel like he's one of the best and most sympathetic villains Hori has ever written. Therefore I am miffed that canonically the League's feelings (outside Toga's) haven't been explored on Twice's death when they all, even Shig and Dabi, seemed to be fond of him at least. I am also annoyed that Hawks isn't even looked down on for this decision and didn't lose anything. No one is sideyeing him for deliberately stabbing a mentally ill man in the back? He gets his wings back despite Dabi burning them off? Or instead of killing Twice I'd have him be captured by Hawks instead and receive therapy.

Explore the process of the creation of an intelligent Nomu. I would either make Shirakumo 'alive' somehow being making Kurogiri an alter of him which the Doctor tortured out of him then brainwashed. OR I would explore Kurogiri's internal thoughts realising that he is a sentient corpse and exploring a full identity crisis for him, still wanting to be a hero and reconnect with his old friends but also wishing to save Shigaraki from AFO. That would be more powerful than what we got.

Give Nedzu, Momo and all the intelligent characters back their brains. Hori doesn't write intelligent characters well, everyone does what he wants them to do for the sake of plot. I would have them tackle the problem and put their characters first when they think things through and make the plot bend to them rather than vice versa.

Make AFO a proper threatening villain and a consistent threat or replace him as the main big bad. - Not sure how to elaborate but some of AFO's decisions in the recent arcs have been laughably stupid to the point of extreme annoyance. So I would either write him off after Kamino or keep him a consistent threat.

I would also explore Dr Giraki / Ujiko as a big bad alongside AFO and the horror of the Nomu condition. These are puppeteered corpses! People's dead bodies! And yet the heroes even upon knowing this are still kicking them around like volleyballs. There's no attempt to save the High ends even after realising Kurogiri's condition. So I would change that. I would have the heroes want to treat these creatures with respect. And only kill as a last resort.

Make Nedzu an actual character. Nedzu has a very interesting premise, a creature, who hates humans, with a very high IQ in charge of a school. Why is this? Because Hori said so in canon. I would actually explore why - does he actually want control and influence over how some of the most powerful heroes will turn out like - I think yes. So I would explore his morally grey tendencies and flesh him out.

Allow all the 1A girls to be both useful and intelligent. Momo especially has an OP quirk, an OP intelligent stat yet Hori never allows her to be as useful or intelligent as she should be. Jiro, Hagakure and Froppy also have OP quirks - yet they are under utilised and unexplored in what capabilities they could do.

Make Aizawa less of a bad teacher and more of a hardass with a heart of gold. (This will be an unpopular opinion.) I am firm in the belief that Aizawa's methods are deeply flawed and canonically he is not a good homeroom teacher at all. I would remove his 'expulsion record' (doing that would literally ruin lives even with the retcon of it only being on paper because that black mark would stay there.) I would change it instead so he moves the classes he deems to have no potential to Gen Ed so that there is no black mark nonsense and the students with potential could earn their way back into the course via the sports festival. I would change the "logical ruse" nonsense which would only breed trust issues in his students IRL to him being straight forward with the goals but having the activities have secret targets too (like the whole concept of hero points in the entrance exam.) I would also erase him falling asleep all the time because that doesn't support the notion that he cares about these kids. These changes would lead to him being a better teacher and would make more sense canonically as his teaching methods are meant to come from his trauma around Oboro's death.

I would either erase Aizawa's mentorship with Shinsou entirely or I would have Shinsou get further into the sports festival and earn his way into 1A that way. Canonically we see Eraser help and mentor Shinsou more than his own students (even the ones who actually need help!) So I would change this by removing the mentorship entirely or having Shinsou join 1A having earnt a spot via the sports festival and having Aizawa help him catch up with everyone else.

Shinsou. I would have him actually be treated as a villain in his backstory. I know we are all used to fanon Shinsou but canon Shinsou isn't abused. Isn't even really bullied bar from a rather justified wariness of 'that quirk is great for a hero. Just don't use it on me, ok?' Which doesn't inspire sympathy if anything it makes you wonder if Shinsou had believed he could coast into the hero course on his powerful quirk and is bitter that he couldn't do that. So I would have him be literally called a villain (literally have his quirks similarities to that of the villain Dictator be called out), I would also have him train outside his quirk to make him more sympathetic. Izuku did with his analysis. Shinsou canonically didn't train at all.

Tone down or Erase Mineta's perversions. I get this is a shonen so there is nearly always a character like this however with Mineta's 'comedy' Hori always goes too far and makes him appear like a budding sexual predator (thankfully he seems to be growing out of this in the later arcs but still.) I'd turn it into him trying and failing to flirt rather than groping people.

Have Midnight only make saucy comments to her peers - this I don't feel like needs further elaboration but the fact that Midnight had said she was turned on by things the students did (even though it's a persona) felt ick to me especially as this character is meant to be a teacher. I would explore her deeper as a character and juxapose her off duty 'more reserved' character vs the hero 'saucy' persona. And have her warn the girls about sexualisation in the hero industry 'women need to use their bodies / sex appeal to get ahead.' Which this new generation of heroes could change that.

I would either not kill Midnight at all or give her a heroic and impactful death. I hated how Midnight died off screen by a meaningless mook, only to be mentioned once again by Mic for Aizawa to shut him up about it. I hated how from here her relevance in the teacher OG friendship group essentially ended as Hori shifted focus hard to KurOboro. I hated how the impact of her death on the students that found her wasn't explored. Midnight died grievously injured and on her knees, Hori didn't bother to even give her a death scene. I would either not kill her at all or have her sacrifice herself heroically to save her students and fully explore the impact of this on everyone.

Explore the UA teachers / how they teach outside of Aizawa and All Might. The series is meant to be 'my hero academia' - So where is the academia? I would have some of the other teachers teaching styles explored as well as the students learning things that come in useful for hero work other than fighting. I.e first aid, villain psychology, quirkless hand to hand fights - all things that would come in useful as a hero other than being good with their quirks. I would also explore these teachers more as characters because I'd love to know more about Vlad King, Mic, Midnight, Thirteen, Ectoplasm and Nedzu.

I would have Endeavor always remain second to All Might. Endeavor in my opinion never deserved the number one spot, he instead deserved to fall from grace after being outed as an abuser. I would have All Might after losing OFA go full 'Iron Man Might' and remind Izuku that he showed Toshi how great of a hero he was without a quirk so Toshi is now taking inspiration from him and showing the whole of Japan how power isn't just from Quirks. It would show AM and Izuku's mentorship and the bond between these characters nicely.

I would either erase Nighteye from the story entirely or change his personality entirely and have him bond with Izuku over being an AM fan too. This I'm not sure if it needs explanation but Nighteye being a bad friend to AM, a bad mentor to Izuku wasn't needed. Aside from his role in Mirio's life and saving Eri he wasn't needed in general- especially not to bring down Izuku's already critically low self esteem.

Eri is too OP - it's narrative breaking. If she can rewind things why hasn't she rewound All Might back to his prime health? Why hasn't she given Aizawa back his eye and leg? Why has Eri only gave Mirio back his quirk? Can she rewind the dead? These are all questions Hori has left dangling because he couldn't be bothered to think of them before he thoughtlessly slotted her into the narrative. I would give her hard limits to her Rewind (such as only being able to rewind a few years or one part of the body at a time) and the drug that Overhaul uses be her power plus trigger to enhance it.

I would leave Mirio quirkless and have him be an awesome hero without Permeation. It would do wonders for the narrative if after losing his quirk Mirio kept working toward being a hero anyway. It would be interesting for both Midoriya and Aoyama to react to this. And for Mirio to have a big brother relationship with Midoriya.

I would give Izuku a proper support group. (I feel like this will be an unpopular opinion.) Class 1A should have been perfect for this role however Hori having them unite with Bakugou against Izuku in the 1A vs Izuku mess, Hori never bothering to develop 1A's friendships most people in 1A don't feel like Midoriya's friends. So I would change that and have them be more of a found family.

I would narratively foreshadow Yuuga as the UA traitor. Yuuga being formerly Quirkless and the UA traitor came out of nowhere. So I would foreshadow it by having him bond with Izuku over "being a late bloomer." I would explore his hesitancy to make friends through this too so Izuku and he would unknowingly bond over a shared Quirkless past. I would also have AFO explode him like he did with Nagant upon finding out Yuuga's treachery. I wouldn't kill Yuuga but this act would make the stakes much more personal for Izuku.

I would narratively develop Midoriya's family. We know so much of the Todoroki's yet so little of the Midoriya's it's criminal. So I would develop both Midoriya Hisashi and Midoriya Inko as people and show the impact of their parenting on Izu. Show Izuku calling his Dad 'overseas' . As well as drop hints about DFO (because I do like that theory but Hori hasn't built up to that well.)

I would tell the stories of the OFA holders instead of having them be plot devices. We know so little of the OFA holders, their motivations, their personalities it's criminal. So I would develop them and tell their stories of what it was like to hold OFA in their time as well as explore First as an actual character. What was it like for each of the holders in their time? Who were each of the holders to each other, all mentees and mentors or best friends, partners? Were any of the holders 'bad' or 'redeemed villains' it looks like everyone was all good which is a waste!!

I would give All Might a proper support group. Think about the people who know his OFA secret, Midoriya, Gran Torino, Nana, Nighteye, Nedzu, Detective Tsukauchi and Recovery Girl. Out of these people; Nana has tragically died in front of All Might, Midoriya is his successor and a child in need of his support and the other four (everyone else except Detective Tsukauchi) supports All Might poorly. (Especially Gran who AM is shown to be afraid of to the point of shaking!) Detective Tsukauchi is the only one who I think actually is shown supporting AM the most. So I would add more supportive characters to AM's circle (like Mic who is shown to be a very good, supportive friend and Inko who is Izuku's mum and is also shown to be a kind and supportive lady.)

I would keep the coherent clear problems in society such as Quirkless Discrimination and Mutant Discrimination shown throughout the story. Hori does a poor job with tackling his themes so I would show more how Quirkless (other than Izu and Aoyama are treated). I would also show Spinner taking offense when Dabi calls him "Lizard" as well as the Police chief taking offence when Shoto calls him a "Mutt." And have more instances like this.

I think this is all the ideas I have for now. Please let me know what you think.

i feel like we tend to forget about this when we talk about kevin

i have so many thoughts on why it seems like kevin's experience after leaving the nest was different. my main thought being that we just don't get to see it. neil joins the foxes months after kevin does and in the beginning he only interacts with kevin during practice, so that explains part of it.

in son nefes we only see kevin as he relates to exy or andrew (lmao). but also kevin spent his first month or so with wymack, so whatever might have been there we simply don't get to see. the extra content says that he only took his coat and wallet when he left the nest, and that in his first few months he struggled with missing his team, his inability to play, and with doubting his decision to leave.

kevin also spent longer than jean in the nest, timeline-wise it seems to have been closer to a decade, and if 5 years was enough to make jean forget the previous 14... sure, kevin was afforded slightly more decencies than jean - he had a car (who knows how often he got to use it), he had to travel for press reasons, and he had more clothes i guess. but taking it all into account we have no reason to assume it was easy for him.

but we just don't see a lot of kevin's struggles period. we don't see his thoughts we don't see all the ways in which his trauma manifests we don't see what other coping mechanisms he has besides drinking. the night training could partially be that but again. we don't know.

I dont know how many of you will agree with this, but recently I had a realisation about Kevin. lt could be broken down to 3 phases:

The first is that Kevin is existing in very extreme emotional states - he either completely removes his emotions and as such vulnerability from a situation, or he goes all in reactive, which ends up with him being extremely dominant and agressive in his expression. The in between only happens when he is in the process of bouncing from one to the other.

Here is why I think he acts as such: as a kid, he had to really moderate how he expressed himself and constantly adapted to the situation. He had to be the golden child for the cameras, he had to be unfallible as an athlete due to his legacy, at the same time, he had to be submissive and lesser than for Riko and Tetsuji. Since most of the attention he got was both very keen and very dominant while emotionally removed (I wonder how much actual prize he got for normal things), it created a deeply rooted fear of honesty. It would be pretty natural for him to feel resentment at constantly not being the right thing, always lacking. As such, he became ultimately dishonest in his expression, which makes him repellant to opening up and being vulnerable in relationships. I used to think most of his dishonesty stemmed from fear because the truths he knew were very delicate and dangerous, but I am wondering if it wasn't born out of this deeper feeling of inadequacy. As a result, the Kevin we meet is used to fitting into someone else's ideas, and that's because he feels like every relationship is based on him GIVING them something of himself. Every one, not just the one with Riko. Living is a sacrifice of self for him, and he will end up, willingly or not, molding himself into whatever he feels he has to give away. When he asks for Wymack to take him in, when he makes the deal woth Andrew, when he wants Neil to believe in a future, when he drops all conctact with Thea, or Jean, after leaving the ravens. He feels like it's expected of him to be what others want to see him as and not what he wants to be. He can't be both of those things at once, so he is what they want or nothing at all. Just think of his attachment to the number two on his cheek and the meltdown that accompanied him, finally choosing to stand up for himself. To finally choose to come into his own identity.

That mechanism would lead from the beginning to him being very removed from his own wants in order to protect them. So, after a while, he would lose his sense of self. Which is funny, because that would lead to him having to relearn it through first finding the negative image of his preferences and his true self, like when capturing a scene in traditional photography.

As such, he is able to pinpoint everything he hates, dislikes, doesn't want and agree with - because they are an immediate danger. But that doesn't immediately lead him to finding what he likes, what he wants or what he is.

And this is where it gets interesting. This behaviour would also be responsible for him feeling very secretive about everything he does find that he likes and enjoys. For example history, if someone made it into a adressed thing, that he likes history, it would feel like he lost that interest, for the sole reason it's not just his anymore. You with me? Not in general, but in a personal relationship. That's why he is so annoyed at people not being good enough for his standards at exy but also not being excited at them caring or trying to meet them, only more and more critical even when he is totally having fun and excited about this.

The fact that even his interest in something like history could be demonized isba pretty common protection mechnaism. That's because when we shelter ourselves by pretending to not exist we are completely vulnerable when that illusion drops. It makes sense that he keeps everyone and everything at an arm's length with his cold and biting demeanour. Feeling like every person is a threat to who he is explains how screwed up almost all of his relationships are.

Horrifying Theory:

This wasn't an accident.

Manga spoilers below.

I say it wasn't an accident because we find out in a later chapter that All For One was lurking around on the mountain.  Since I don’t think he’s the type to be out for a casual stroll just because, this would imply heavily that someone, either himself or one of his underlings, was keeping tabs on the situation in the Todoroki house.  Given that he has his 'friends' everywhere, this is not beyond the realm of believability.

However...he just happened to show up on the very night Touya’s Quirk went out of control and nearly killed him?  Sure, we can be allowed a coincidence for plot convenience but…

Also recall that All For One did (and still does?) have a Quirk that forced other people to use their Quirks.  He used it on Kurogiri and Magne back in the Kamino Ward Arc so the LoV could make their escape.

He could have started Touya’s fire.  He had the means.

And he has a motive.

Because in Touya's flashback after waking up from the coma, AFO essentially tells him his body was destroyed and his Quirk is significantly weaker, but they may be able to restore him and asks if he's interested in 'joining their family.'

May be able to restore him?

Okay, we have seen AFO and Ujiko accomplish some pretty terrible but, scientifically speaking, impressive feats in biology and modifying Quirks. I'm calling bs on them not being able to put a physically broken teenager back together in the three years he was in a coma. That 'join the family' offer was a caveat and a manipulation of the ‘I will hurt you so I can help you,’ variety. It was supposed to foster a sense of gratitude and loyalty in Touya so as to make him a potential candidate for the whole vessel thing if Shigaraki didn't work out.

Except that plan went awry when AFO seriously underestimated Touya's obsession for his family/father's attention. Touya rejected the offer and ended up fleeing, and they let him go as a lost cause because they believed he'd be dead in a month anyway.

Touya didn't burn himself. All For One did.

can we talk abt touya's medical trauma more please

Bad Dog Love (wip), lev st. Valentine

imagine being kevin day, son of exy, born and bred to be a cog in the well-oiled machine that is the edgar allan ravens. all you know being the routine of practice and practice and practice and performance and victory alongside those you call brothers.

-and then one day you wake up in your estranged father's apartment between a bottle of painkillers and a bottle of vodka and there is a knot of bandages where your future used to be. you don't wake up at 4am anymore. you sleep until noon and vomit the remainders of life as you knew it into unfamiliar toilets. you watch orange and white clash against each other from sidelines you haven't touched since you started growing facial hair.

your brother doesn't ask you to come home. you would come if he asked. the days are longer here and the food is too rich. the colors are too harsh, the language barrier is too much. you speak and no one understands.

they feel sorry for you, but not for what you have lost, instead for what you have suffered. you try to show them what belonging means, to sever parts of yourself to fit inside a uniform, but they don't understand the necessity of the blade the way your brothers did. they don't understand that suffering feels religious if you do it right.

the therapist tells you it's survivor's guilt but the only survivors you can see are on the court in black and red and they read your eulogy after the game at a press conference. you are not a survivor in any way that matters anymore. how treacherous your heart is for continuing to beat when you can't even hold your lifeline in your hand without dropping it.

you want to go home but your key doesn't open the same door anymore. you want to sit beside your brother but there is no space on his side of the table. you want to be a raven but you are a fox.

you grieve for connection until there is a knife where your neck guard used to sit. you grieve for your life until a boy offers to show you how it feels to survive. you offer to show him how it feels to live. he tells you he won't sever parts of himself to fit the uniform, but there are telltale bloodstains in the fabric from long before you asked.

you wake up at 4am again. you take turns vomiting in the toilet, you when the alcohol level dips too low and him when his smile runs out. he doesn't speak your language but he understands it. he keeps the car running when you visit the therapist. he keeps an eye on your back to watch the 02 on your jersey turn orange. the colors don't seem as harsh anymore.

he offers you safety. he offers you belonging. he offers you the only thing he knows how to give, the only thing you know how to take.

he offers you a lifeline. you pick it up with your right hand.

mha villains: i love my friends so much that with the power of friendship we will change this world so that everyone can live in peace and not get ridiculed and abused for their differences! and i kill people.

mha heroes: i think youre creepy so stand still while i bash your brains out. i like fighting so much i'll hurt anyone who crosses me. victims of abuse should shut the fuck up about it cause i dont care and neither does anyone else if they know what's good for them. i refuse to change if it means someone else's life might get better, but i'll be out of a job. and i kill people.

Does ego bring out the best or the worst in someone? (Alternatively titled; 'Isagi Yoichi, and what it takes to be the best in the world')

difeisheng // Portrait of Fryderyk in Shifting Light - Richard Siken // Landscape With Several Small Fires - Richard Siken // Fury - Yevgeny Yevtushenko // Salvage - Hedgie Choi // BLUELOCK - Kaneshiro Muneyuki & Nomura Yuusuke