I came across a xiaohongshu post that showed pictures of an abandoned traditional village in a mountainous region of China with very little surrounding greenery that had the captions: “so sad how traditional villages like these are empty and abandoned”
But the top comment was: “I am so happy for the villagers who finally made it out of the mountains and into new homes in prosperous cities. It often takes multiple generations of hard work to get the entire family out. Every family in this village achieved this. What you are looking at is the evidence of their success!”
And the second highest liked comment was: “You can tell this area has poor agricultural resources. The ancestors of the villagers were likely forced to settle here because more powerful villages have occupied the attractive fertile lands. Who knows how long they had been trapped here? I’m glad they finally made it out!”
Another comment with high likes: “My grandparents’ village was like this. Poor air quality from burning coal in poorly ventilated buildings. Bitterly cold in the winter. Dry and hot in the summer. Short growing seasons. And there was always a shortage of water. My parents got factory jobs in the city and after working and saving for years, they finally got all of us out.”
And it occurred to me how when we romanticize old fashioned villages and mourn the loss of the type of community they provided, we sometimes downplay and overlook the extraordinary liberation and agency that industrialization brought and brings to people who in previous generations had no option but to remain where they were born for most of their lives.
The remorseful player
photographer: Camille Summers-Valli
At the gate for my flight home from visiting friends and there's a woman here with a service Shiba Inu. No pics because he has a Do Not Disturb vest and taking pics of strangers is illegal but I need to stress how ON DUTY this animal is. Ears up. Eyes doing Lazer scans of everything. Examining everyone who passes within 10ft like a security guard. Ass planted on her feet. I have never seen a dog with such intense chivalric guardian energy before. He has tiny eyebrows and they are FURROWED with concentration.
dandelions
This is my friend Rachel. Writer, teacher, Tarot interpreter, creator of magic.
May you, whoever you are, have a life like Rachel's, one that changes things for people, a life where you follow your star and leave a more interesting world behind you. And may you, like Rachel, never lose your sense of humour.
I couldn't find this on urban dictionary. What's prev? What is what is prev to you?
*hitting you with a stick* no benoit blanc movies should not interact. they should not lead up to something. you need to detox from the marvel/sherlock bbc poisoning. they should be completely independent movies (maybe w some cameos/little references for fun) and go on for as long as there are stories rian johnson wants to tell in this universe. i do not want an overarching plot i do not want a team up i dont want a benoit-focused prequel i want some good old fashioned episodic murder mysteries that have nothing to do with each other!!!!!!!!!!! also rian johnson has literally said he's not gonna do a prequel and he wants the movies to all stand on their own
earlier this week Twitter user ppuccin0 tweeted about a fashion article that advised against tops with large floral patterns, saying the wearer was in danger of looking like a "ロマンティックおばさん," or a "romantic auntie." the tweet went viral with many agreeing that a "romantic auntie" sounded like a very nice thing to aspire to be, and some even posted illustrations or photos tagged with the trend
illustration by Toyota Yuu (author of Cherry Magic)
illustration by 141shkw/Sora Midori (author of Beautiful Curse)
photos by Takinami Yukari (author of Motokare Mania and Watashi-tachi wa Mutsuu Ren'ai ga Shitai or "We Want A Painless Romance")
illustration by m:m (mangaka of Matataki no End Roll)
illustration by ooinuai (mangaka of Onikui Kitan)
illustration by ma2 (mangaka of The Reason We Fall In Love)
BONUS: