Fat Character Who Becomes A Vampire And Loses A Ton Of Weight And Blood Can Not Sate Their Hunger But

Readers aren’t stupid. If a character is crying, you don’t need to add “because she was sad.” They’ll get it.

Ok this book idea I’ve started drafting, I have no idea what’s gonna happen. Like I have vibes, a bit of world building, backstory, and three characters I barely know. I’m just gonna let the plot find me I guess

me rereading a scene: omg why is she acting like that who wrote this? i wrote this.

Every writer has that one story that they don't even intend to write down anymore, but that is forever stuck in their brain.

plotting out my characters’ emotional growth while simultaneously avoiding my own: a memoir.

Of course my insomnia struck full force right when ao3 is scheduled to go down for maintenance :(

I love the notes I gave myself during my first draft. I think one of my favorites is: we need to standardize pet names.

I think I’ve been putting too much pressure on myself lately. I’m trying to revise some poems for my slam team and write a second draft of a fic (that is almost a complete rewrite because I wanna change too much), and I’ve been struggling to get anything done because I want my writing to sound like my favorite writers.

I will try to let go and see how much I get done before I go over to friends house in about an hour

Reasons Why 80% of Romantic Plots Fall Through.

Haven't you wondered why a romantic story you have so much hope for suddenly flops? Whether it's yours or not, let's see what could be the problem.

• Relying Too Much on the Outcome

Unfortunately, no romance is complete without an arc. In other words, it is more than just the intimacy. When writers don't allow the relationship to develop naturally, it feels forced. Rushing to the final romance without building a solid foundation will make the story feel shallow and unconvincing. Take your time, flesh out the idea, and follow the plot gradually.

• Creating Unnecessary Victimization

I often see writers make the mistake of portraying one character as too weak or pitiful only for the sake of it. This unnecessary victimization can undermine the character's depth and make the story less compelling. Your readers won't cry along with a female character whose decisions are pretty sour compared to a five-year-old. It's just simply annoying.

Instead, both characters should have strengths and weaknesses, make realistic decisions, making them more relatable and balanced.

• Cringy Conflict.

Realistic conflict is essential for a compelling romance. Over-the-top or contrived conflicts can make the story feel forced and cringy. Conflict should come naturally and blend perfectly into the plot. It's not advisable to pop a challenge that's definitely not necessary in the name of 'keeping the stakes high.'

Rather, focus on creating believable challenges that the characters must overcome, adding depth and authenticity to the plot.

• Neglecting Other Emotions Outside Romance.

It's not only about love, or roses, or dinner nights, or lucky dates with the billionaire. Show the other emotions fighting for dominance: the hurts, pains, joy, frustration, desperation, anger, sadness, jealousy, anxiety, or even moments when a character falls out of love with the other and can't understand their feelings.

Focusing solely on love can lead to a one-dimensional story. For a well-rounded narrative, explore these emotions to create a richer and more immersive experience for the readers.

• Underdeveloped Characters.

What's a story without a fully-fledged character, especially if they are the main character in a story?

You might have heard people talk about the importance of backstories and others saying too much of it tires them out, but here's the thing—balance. It's what people fail to incorporate. I'll try to cover this in any of my upcoming blog posts. Follow to keep up.

To better understand why we should cry for, laugh with, pity, admire, adore, scold, yell at, advocate for, and smile with your character, we need to know why they are what they are, who they are, and why they make the choices they make.

It's important to create characters with distinct personalities, backgrounds, and motivations. When readers care about the characters, they become more invested in the story and its outcome.

And that's my Christmas gift from me to you 🎁. Merry Christmas 🎄

With me it’s always raising an eyebrow and/or nodding. Which results in my characters looking like smug bobble heads in every conversation

me while writing: ah yes, this character should do this, it feels so natural with what they're saying

me while editing: why the FUCK does he lean on the doorway SEVENTEEN TIMES IN THIS CHAPTER